Founders of The Reserved Compartment 
Chennai

Anti-caste poetry collective The Reserved Compartment set to perform in Chennai

The collective, founded by four poets from across the country, brings together anti-caste and Ambedkarite poetry, storytelling, music and live performance.

SA Sneha

CHENNAI: What started as a medium to express one self has now become a fullfledged show, a platform for catharsis and community. The Reserved Compartment, the country’s first anti-caste poetry collective, is bringing its show to Chennai on August 22. The event will be hosted at Medai -The Stage in collaboration with Mahad Productions.

The collective, founded by four poets from across the country, brings together anti-caste and Ambedkarite poetry, storytelling, music and live performance. Recalling the journey, co-founder Daniel Sukumar from Bengaluru says the idea had been in the works for years before it eventually became a show in August last year. “We have been writing poetry since the early 2010s online. And we have always wanted to take our work and our stories to a wider audience,” says Daniel Sukumar. “It is primarily in English because it is a link language that has a wider reach. Dalit poetry has been written in all regional languages, be it Marathi, Tamil or Gujarati. We wanted to bring it into English,” he adds.

The other founders include Aleena, a Kerala-based poet and writer; Abhijit Shahaji Khandkar, a Mumbai-based medical pathologist and Ambedkarite Buddhist poet; and Gautam Vegda, an anti-caste poet and scholar from Gujarat.

The choice of poetry as their medium comes down to two things: the limited time people have in a society like ours and the need to keep oral traditions alive. “Poetry comes naturally to us and it is also a snapshot in time. It becomes a time-friendly medium in a world that’s running short of time,” says Abhijit. While some forms of work might require more time, not everyone has the luxury of it, he adds. “Also, oral traditions have always been part of Dalit literature and the Ambedkarite movement as well. This is perhaps an extension of that,” says Daniel.

The collective has also been looking for more patrons and performers to join them. They say that, often, having Dalit poets in art spaces can become an exercise in tokenism. They want to break away from that notion by bringing in and nurturing poets who are not yet well established. “Every time we go to a new city, we bring a new poet who writes in the regional language,” Daniel explains. One of the collective’s missions is to foreground newer poets and give them a platform to share their anti-caste poetry.

The shows have so far been completely self-funded. “While the first show was pooled by friends and well-wishers, since then we have been using the money from one show to fund the next,” says Abhijit. The collective plans to publish an anthology soon and is also considering an incubation programme through which it hopes to mentor poets from the community and help them write in English. However, a lack of social and financial capital remains one of the primary hindrances to its mission.

The founders add that poetry is only a form of expression; the larger aim is to create space for those who have been silenced. “Poetry is just a form of expression. The main thing we’re trying to do is build a platform and a stage where those who’ve been silenced can come forward,” says Abhijit.

Tickets for the show can be booked through the link on their Instagram page, @thereservedcompartment.

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