Directed by debutant Rawindra Pulle and produced by Unformula Films, the film features Rashmika as a Gond tribal woman. The release date poster shows her holding a large spear, with battle wounds on her face. A crowd and flames form the backdrop, while traditional clothing and weapons give the film a period-action setting.

The makers said Mysaa is being mounted on a large scale, with action sequences designed to create an adrenaline-driven experience. International stunt specialist Andy Long and stunt choreographer Kecha Khamphakdee are associated with the film's action sequences.

Rashmika recently sustained an injury while filming a demanding action sequence, according to the press release. She is recovering and is expected to return to the sets soon to complete the final schedule. The makers said 12 days of shooting remain. Post-production work, including VFX and the original score, is under way.

The actor has undergone physical training and worked on the character to bring authenticity to her performance, they added.

The film also stars Eshwari Rao, Guru Somasundaram, Rahul Ravindran, Samuthirakani, Rao Ramesh, Tarak Ponnappa and Nidhi Singh.

Shreyaas P Krishna is the cinematographer and Jakes Bejoy is the music composer. GM Shekar is the production designer, while Ayesha Mariam has designed the costumes.

Mysaa will release simultaneously in Telugu, Hindi, Tamil, Kannada and Malayalam.

Raahul of Romeo Pictures, who is producing the film, took to his X timeline to share the glimpse video of the film, and wrote, "The golden wave has hit the city. Presenting the title glimpse of #CityOfGold. Romeo Pictures presents #CityOfGold @iamVikramPrabhu. Produced by @mynameisraahul @Romeopictures_ The young Maestro @U1Records @thisisysr. Directed by @just_sid_here. Starring @iamVikramPrabhu @ShivathmikaR @__amalashaji__ @GMSundar_ @ivasuuu @KarthickSharaj @arulmosez @HariharanPS_ @Dineshkasi1 @Renganaath_R."

The glimpse video released begins with government authorities getting a tip off about gold being smuggled into Coimbatore. But then, the magnitude of the whole operation is so huge that even authorities feel that a crime of this proportion is not possible. We hear an officer saying, "Is this cinema for them to smuggle gold in lorries from one state to another?"

Even as gold prices continue to soar consistently, we hear one of the smugglers saying, "There is nothing that is impossible here."

The glimpse video shows that there is a market for gold and the one calling the shots in this market is a person who is intent on acquiring respect. "All those hands here have to salute us in respect," we hear him saying.

Meanwhile, Vikram Prabhu's character is seen working in this market of gold. The glimpse video also features several grim action scenes.

At one point, we hear Vikram Prabhu say, "Can you believe it if we told you that the one gram of gold that you hold in your hand would have claimed at least a minimum of one person's life before reaching your hand? That is gold. That is what this world is. And that is what this film's story is all about."

Shooting for the film is currently on at a brisk pace. It may be recalled that shooting for the film began in June this year.

Along with Vikram Prabhu, the film will also feature producer Raahul and actresses Shivathmika Rajashekhar, Amala Shaji in pivotal roles.

On the technical front, music for the film will be by Yuvan Shankar Raja while cinematography will be by Karthick Sharaj. Editing for the film will be by Arul Moses A and art direction will be by Hari Haran PS. Stunts in the film have been choreographed by Dinesh Kasi.

The conversation kicked off when contestant Padmini asked Amitabh Bachchan whether has he ever made tea for his wife Mrs. Jaya Bachchan.

To this, Big B candidly admitted he has never made tea for his wife and explained his unfamiliarity with the process of making tea. Ne said, "Deviji dekhiye joh insaan chai nahi peeta hain voh kaise banayega aur humne aksar dekha hain ki patiniji chai itna nahi peeti hain, peeti hain lekin kitna peeti hain hume nahi pata aur joh bhi peeti hain voh hum banake nahi dete aur hume nahi aata chai banana. Kya hain aaj kal dhaage ke saath ek pothli hoti hain uss dhage ko garam pani mein dubake chai banjati hain lekin humne kabhi uska upayog nahi kiya. Toh, joh asli chai voh kaise banti hain? kya hain ki hum sikh rahe hain, yadhi patiniji ko chai peeneka ka mann kiya toh hum bana sakte hain."

(Madam, see, how will a person who does not drink tea make it? And we have often seen that my wife does not drink that much tea. She does drink it, but we do not know how much she drinks, and whatever she drinks, we do not make it for her, and I do not know how to make tea. What happens is that nowadays there is a pouch with a thread; by dipping that thread into hot water, tea gets made, but we have never used it. So, how is real tea made? What happens is that we are learning, so if my wife feels like drinking tea, then we can make it)

With Vishwanath and Sons and Irumudi crossing the Rs 100-crore mark, along with the National Award, the composer-actor has plenty to celebrate.

He is now looking forward to Immortal, a vampire film that he calls his experiment with a new genre in Tamil cinema.

Speaking about balancing his commitments as an actor and music composer, Prakash says planning helps him stay on track.

“I plan properly for the next 60 days. If you ask me what I am going to do next month, I can tell you exactly what I will be doing,” he says.

The National Award has a deeper emotional significance for him. Referring to AR Rahman’s observation that the honour marks the family’s 10th National Award, Prakash says the achievement fulfils a long-standing dream.

“This was my grandfather’s wish and ambition. Unfortunately, he passed away due to cancer. My uncle has achieved a lot, and I am happy that I have been able to achieve this in the same lineage,” he says.

With Immortal, GV Prakash is entering an unfamiliar territory. “It is my experiment in a new genre a vampire film and the first of its kind in Tamil cinema,” he says.

The film was completed before the release of the Malayalam film Lokah, but its extensive computer-generated imagery work delayed its release.

Describing Immortal as a fantasy, mystery and survival thriller, he says the film revolves around a man who has lived for 4,000 years. The story moves across prehistoric times, tribal life and the present, with a major flashback forming part of the narrative. “It is an interesting film which will excite everyone,” he says.

The film also features Kayadu Lohar, who has become a familiar name among Tamil audiences. Prakash reveals that the film will offer audiences a different version of the actor.

“We were halfway through the shooting when Kayadu signed Dragon. So you will see a fresh and different Kayadu in this film,” he shares.

On working with composer Sam CS, he says he gave only minimal input, mainly suggesting where the film needed stronger scare moments.

GV Prakash has also managed to work across films of different scales, from smaller projects to big-star productions.

He credits legendary composer Ilaiyaraaja for inspiring this approach.

“Whether it is a small hero or a big star, or whatever kind of film it is, Ilaiyaraaja sir was the same with everyone. He treated every film equally. MSV sir was also like that. I grew up watching them, so I follow the same approach,” he says, adding that he tries to give his best whether the film is Kaaka Muttai, Visaranai or a commercial film like Youth.

GV Prakash is also continuing to explore acting. His upcoming Mental Manathil, directed by Selvaraghavan, is 80 per cent complete, with a seven-day Chennai schedule remaining.

He describes the film as a love story with an unusual combination of influences “like a product of what happens when Imtiaz Ali meets Yaaradi Nee Mohini.”

His association with Telugu cinema is also expanding. He points to Lucky Baskhar and Irumudi as significant successes and says he has several Telugu projects lined up, including two with Dulquer Salmaan and one with Anil Ravipudi.

Reflecting on Kingston, his previous experiment with the pirate genre, Prakash admits that the dialogue and screenplay did not work despite the strength of the concept. “In Immortal, we have worked well on the dialogue and screenplay,” he says.

On the growing use of artificial intelligence in filmmaking and music, Prakash believes it should remain a tool rather than a replacement for human creativity. He admits to using AI during the process of creating music, particularly to demonstrate a female vocal scratch to a producer, but says he would not use an AI-generated voice as the final product.

GV Prakash also says he continues to speak up on social issues, including recent honour killings, but prefers to do so without political backing. “I still voice out when injustice happens. But when political parties take ownership of certain incidents, it does not work for me,” he says.

For now, his focus is on Immortal, a film that he believes will offer audiences something unfamiliar. “We spent a year working on the creature. It is a survival thriller with some romance, and it will give audiences a new visual and a new experience,” he concludes.

In a chat with DT Next, she talks about dancing with Rajinikanth and balancing motherhood.

The Tamil trailer of the film has been released and is already drawing attention. The Tamil version of the film is set to hit theatres on September 4.

Following the successful Tamil Nadu release of Suriya-starrer Vishwanath and Sons, Primark Productions is set to bring another Malayalam hit, Bethlehem Kudumba Unit, to Tamil audiences.

Directed by Girish AD, the film explores an unconventional relationship between a middle-aged man and a young college-going woman.

The trailer hints at the attraction between the two and the emotional complications arising from their age difference, while also touching upon society’s perception of their relationship.

Blending romance, humour and emotions, the film takes a different approach to the conventional love story.

Nivin Pauly and Mamitha Baiju play the lead roles, with Sangeeth Prathap, Vinay Forrt, Roshan Shanavas, Srindaa, Meenakshi Raveendran and Bindu Panicker among the supporting cast.

Girish AD has co-written the story with Kiran Josy. Dileesh Pothan, Fahadh Faasil and Syam Pushkaran have produced the film under Bhavana Studios.

Vishnu Vijay has composed the music, while Ajmal Sabu and Akash Joseph Varghese have handled the cinematography and editing, respectively.

Leo Vision Productions, one of the production houses backing the film, took to its social media platforms to make the announcement.

It wrote: “Fantasy. Madness. A whole lot of darkness. @leovisionproductions #ProductionNo5 is gearing up for a wickedly exhilarating ride! In association with @keyuriproductions. Starring @nithyamenen. Written and directed by @deekay_06. Creative Producer @thisisvikramkumar. @rajkumarl2447 @Beacon.pr @Prakashpro_ @kvmothi @decoffl.”

Interestingly, Nithya Menen is also jointly producing the film. She is co-producing it through her banner, Keyuri Productions, along with Leo Vision, headed by producer V S Rajkumar.

It may be recalled that Nithya Menen announced the launch of her production house, Keyuri Productions, in February this year.

Taking to Instagram to post a video introducing her production house, Keyuri, the actress had said: “Making films, for me, was always more than just telling stories. It was about being able to reach actual people at such a deep level. A place deeper than intellect. A place above thought. Above reason. To stir a transformation — both within me, when I am absorbed in the creative process, and within the other who watches. To create shifts that ripple quietly. Changed in ways we cannot fully name. Imperceptibly at first, but irreversibly.”

Acclaimed filmmaker Vikram K Kumar has also been roped in as the creative producer for the film.

The film has cinematography by A Sakthivel and editing by Richard Kevin. The film is set to be released in Tamil, Telugu, Malayalam, Kannada and Hindi, making it a pan-Indian theatrical release.

Taking to its social media timelines, Lark Studios, the production house producing the film wrote, "Every frame holds a feeling. Every moment carries a memory. #Thagappan Shooting Wrapped! The emotions begin soon in theatres. In Cinemas December 2026."

The makers also shared a video on the occasion with the entire unit screaming, "It's a wrap!."

Sources say that the film, which is set against a Madurai backdrop, will revolve around the bond between a dad and his son. It will look to highlight the significance of family relationships and human values, they added.

For the unaware, the film, which is being produced by K Kumar, is slated to hit screens in December this year.

Recently, the makers had released the first look of the film, much to the delight of fans and film buffs. Lark Studios took to its social media timelines to share the first look poster of the film.

It wrote, "Everything is fair in a father’s love. Presenting the world #Thagappan !In Cinemas December 2026."

The unit has completed the shooting of the film in one go. Sources had, on an earlier occasion, said that several onlookers, who recently witnessed the canning of some crucial scenes, were moved by what they saw and went up to congratulate the unit.

Rajisha Vijayan plays the female lead in this film, which will have music by Marshall Robinson. The film has cinematography by M Sukumar and editing by the very gifted Nagooran Ramachandran.

Art direction for the film is being handled by K B Nandhabalan while stunts in the film have been choreographed by Mahesh Mathew. Rithesh Selvaraj has designed the costumes in this film, which P Balakumar serving as its executive producer.

At the heart of the promo is a playful celebration of the 4 regional markets and their cultures.The promos shows the hosts finding themselves in a mix-up involving food from one another’s states, adding a fun twist to the narrative.

The humour, observations, interventions and weekend conversations of the hosts are among the most anticipated parts of every season, often driving conversations well beyond the house.

Krishnan Kutty, Head, Entertainment (South), JioStar, said, “Each of our four hosts has a very distinct equation with his audience, and that relationship is an important part of what makes Bigg Boss so powerful in every market”.

“This promo gave us an opportunity to bring Vijay Sethupathi, Nagarjuna, Kichcha Sudeepa and Mohanlal together in a way that is fun, rooted in the cultures of the South and true to their personalities. For fans, seeing all four of them share the screen is a moment in itself. It captures the scale and excitement we are building towards as all four editions begin together”, he added.

‘Bigg Boss’ Tamil, Telugu, Kannada and Malayalam are set to air simultaneously on September 6 on JioStar television channels and JioHotstar.

‘Bigg Boss’ is a format owned by Endemol Shine and Banijay Entertainment.

The actor, who participated in the pre-release event of director Venu Gopal Reddy's romantic drama 'Romanchakam', which is being presented by Sandeep Reddy Vanga, Vijay Deverakonda said, "I can't express the love I have for Sandeep in words. It's not just a director-actor relationship. It's not just a brother relationship or a friend relationship. It's something else."

Recalling the difficulties they faced during the making of the blockbuster film 'Arjun Reddy', Vijay Deverakonda went on to say, "Back then, we went to war together. We didn't know what we were doing. Had the film not worked out, we would have gone crazy. Both of us didn't have money. We did not have influence. We didn't have any pull. There were no fans at that time because Pellichoopulu hadn't released then."

"I miss Sandeep Reddy not for Arjun Reddy's success or what it has gone on to become. I miss him for all the moments we spent together -- building a film together, sharing our lives, our stress and sharing our battles. Pranay and Prabhakar uncle mortgaged their lands to get money to make that film. They made that film showing faith in Sandeep and he in turn, had faith in me. He also got them to believe in me and made that film," he recalled and pointed out that the stakes were really high for that film.

"You put your entire family, earnings and future on film. Sandeep will go to any extent for me and I will go to any extent for Sandeep," he said, revealing the deep bond of trust and affection he shared with the ace director.

For the unaware, Romanchakam, which has triggered huge expectations, is slated to hit screens worldwide on September 3 this year.

Excitement about the film shot up after the makers chose to release a glimpse video of the film a couple of weeks ago.

The glimpse video begins with Sumanth Prabhas and Ananthika Sanilkumar's characters in the film being madly in love with each other. Just when you begin to think that the couple is made for each other, the second half of the glimpse shows both characters beginning to hate each other. Adding to the excitement and intrigue is the character played by actor Upendra Limaye in the film. The glimpse gives the impression that the actor plays a cop in the film.

Apart from Sumanth Prabhas, Ananthika Sanilkumar and Upendra Limaye, the film will also feature actors Venkatesh Kakumanu, Narendra Ravi, Mani Aegurla and Sai Sohan among others.

Produced by Pranay Reddy Vanga, the film has cinematography by Pavan Pappula and music by Vasuki Vaibhav. Gobind Kotap has choreographed the dances in the film, which has costumes by Akunur Keerthana.

Talking to mediapersons, G V Prakash, who only recently won his third National Award for music direction, said, "Immortal is a relatively new genre for Tamil cinema. It's a vampire film. It hasn't been explored much in Tamil cinema. It's a fantasy mystery survival thriller."

Going on to give details of the film, in which Kayadu Lohar plays the female lead, G V Prakash said, "We waited for a year for CG alone. The producer told us that we would shoot for a year and that we would wait for a year for CG. Only then would this film be released."

He went on to add, "We finished shooting before Lokah was released." The actor said that the decision to take a year's time for the film's CG was to ensure that it was of international standard.

The film's CG works are being handled by top CG firms in Canada, which have been working on the film for a year now.

Going on to explain why they named the film 'Immortal', G V Prakash said, "I initially wanted the film to be called 'Saaga Varam' but we later changed it to 'Immortal'. In this film, there's a portion that tells the story of a man who lives for 4000 years. It will go to a prehistoric time."

The film has already been cleared for release by the Censor Board with a clean 'U' certificate.

G V Prakash took to his X timeline to share the update. Sharing a poster that announced that the film had been certified U, the actor wrote, "#Immortal from September 4."

It may be recalled that the makers of the film had announced in May this year that shooting for the film had been wrapped up.

The film has been eagerly awaited ever since the makers released a chilling and entertaining teaser of the film last year.

The teaser begins on a funny romantic note. It has G V Prakash, who is a die hard romantic, having a conversation with a friend. He says, "Imagine how it would be if a handsome guy like me and a very beautiful girl stayed in the same house." The friend replies, "It would be jealousy-inducing." To this, G V Prakash gleefully says, "It must."

The teaser then shows G V Prakash having a conversation with actress Kayadu Lohar in a flat that looks exactly like the one he was seen talking about a while ago to his friend.

"If I ask you something, will you mistake me," he asks her and she shoots back, saying, "You will anyway ask something that is wrong."

The teaser makes it evident that G V Prakash's character in the film is romantically interested in the character that Kayadu Lohar plays. He tells her, "My room has a lot of mosquito problems" to which she replies, "Mine has problems caused by bats. Is it alright?"

It is then that the horror phase starts. He wakes up in the middle of the night and looks through the keyhole, only to find a beast with the face of a bat!

The film, apart from G V Prakash Kumar and Kayadu Lohar, also features a host of actors including TM Karthik, Kumar Natarajan, Lollu Sabha Maaran, Aaditya Kathir, Arshu Maharjan, Pema Tsamchoe and Sunita Shrestha.

On the technical front, the film, which has been produced by Arunkumar Dhanasekaran, has cinematography by Arun Radhakrishnan and music by Sam CS. Editing for the film is by San Lokesh while art direction is by Siva Sankar. Stunts for the film have been choreographed by R.Sakthi Saravanan while dances have been choreographed by Sabarish.

The legendary actor and host spoke about how language and popular expressions continue to evolve across generations, joking about terms such as “rocking” and “killing it” by taking their literal meanings.

Sharing his confusion over the terminology used by younger generations, Bachchan said, “Aaj kal ki... Gen Z hai ya Gen A hai, pata nahi kya bolte hain... Sir, ajeeb-ajeeb bhasha banti rehti hai... 'You are rocking... Mr. Bachchan, you are rocking.' Maine kaha yaar, 'patthar toh humne abhi tak uthaya nahi.' Woh chhap gai... woh kaat karke bhejega, bolega, 'Sir, you are killing it.' Maut ki baat kaahe kar raha hai yaar humse?”

(These days Gen Z now use strange languages and expressions keep emerging. 'You are rocking... Mr Bachchan, you are rocking.' I said, 'Hey, I haven't even picked up a stone yet.' Then they will edit and send it, saying, 'Sir, you are killing it.' Why are you talking to us about death?)

Earlier too, Amitabh Bachchan had spoken about finding the Gen Z language and terminologies extremely difficult for him to decode.

The megastar had also recently discovered a new Gen Z term, "Biwi Paglu". Upon learning the meaning, Amitabh had quipped, "That's absolutely right. She is the boss, and every husband should accept it. Live like this and you will survive, otherwise, you will be fired."

The megastar, 83 years currently has been a part of the industry for over 50 years. Married to Bollywood then superstar Jaya Bachchan, is the father of actor Abhishek Bachchan. He is the grandfather of Aradhya Bachchan who is a Gen Z.

Drama Company, the production house behind the yet-to-betitled film, shared the update on Instagram, writing, “That’s a wrap. To the moments, the people and the magic we created together on the sets of Dr. Shivarajkumar X Abishan Jeevinth | Drama Company Production No. 1. A journey filled with joy, friendship, love, laughter and relentless hard work and memories we’ll cherish forever. First Look & Title Announcement Soon.”

The film was launched in June this year. The makers had recently introduced Abishan Jeevinth’s character, revealing that he plays Sugan in the film.

The film features Shivani Nagaram as the female lead opposite Abishan. The cast also includes Yogalakshmi, Gaana Vinoth, Sangeetha Madhavan and Benjamin and music by Leon James.

Anne will play a team owner and engineer in the sequel. The project will also feature Jerry Bruckheimer and Tommy Harper in key roles.

Jonathan Levine will direct the film, with the screenplay written by Will Staples. The sequel is expected to arrive in Summer 2028, although an exact release date has not yet been announced.

Tom announced the project through a video shared on his official Instagram account, in which he and Hathaway are seen laughing and looking into the camera as they reveal their upcoming collaboration.

Anne, who is expecting her third child with husband Adam Shulman, said in the clip, “I’m going to have this baby, and then we’re going to make this movie.”

Directed by the late Tony Scott, the original Days of Thunder starred Cruise as Cole Trickle, a hot-headed driver who enters the NASCAR circuit and faces a series of personal and professional challenges before finding success.

Meanwhile, Cruise’s upcoming projects include Digger, in which he will star opposite Sandra Huller. Anne has Verity, Alone at Dawn and Princess Diaries 3 in her upcoming lineup.

According to reports, Murugadoss is said to be in discussions regarding a story developed by Shankar’s writing team. While the development has generated considerable curiosity, there is no official confirmation yet from either filmmaker or their respective teams.

The exact nature of the collaboration is also unclear at this stage. Reports have not established whether Shankar will have a direct creative role in the project or whether Murugadoss will take complete charge as director.

The possibility of the two filmmakers coming together has nevertheless sparked considerable interest, given their track record of delivering large-scale commercial films with strong action and social themes. Both directors have built distinct identities in Tamil cinema over the years, with Shankar known for ambitious, visually grand productions and socially driven themes, while Murugadoss has delivered several action-oriented commercial entertainers.

For now, the project remains at the discussion stage, and further details regarding the cast, production and the extent of Shankar’s involvement are awaited.

You've spent years being known primarily as a singer. Today, you're building a healthcare institution. How did this come about, and what has your journey been so far?

I was interested in Korean skincare about 10-11 years ago. Then, I saw that there was an opportunity to legally import it into the country. So, I went through the entire process. We started a website somewhere at the end of 2018, beginning of 2019. Then, we rebranded that into SkinRoot. We were the first in the country to actually legally import Korean skincare, and now we have also launched a huge 10-year-old Japanese brand here in India.

The logical extension to something like that was aesthetic services, and I wanted to bring the best practices from Korea but the best of technologies from the US and Europe and launch them. We did that in 2020-21. Samantha came and launched it then, and it was called DeepSkinDialogues. Slowly, as we understood the space a little more, my brother also joined the business, and he is a neurosurgeon. So, we have also branched into pain and regenerative medicine, where there are no steroids, no surgeries.

Do you think the discipline of being a performer prepared you for entrepreneurship in a way that you did not expect?

I think that is a very different space. The creative space allows for a certain kind of thinking on your feet. But that doesn't necessarily have applications in the medical or clinical space. It is very scientific and needs to function in a particular manner and "I always had the entrepreneurial bug".

You have said authenticity is important to you. How does that translate into the way you approach this business?

I know what I am. Is this something that I would do for myself? So, I put myself first, and to see K-Beauty also, everything is something that I tried myself, and I knew it worked and started vouching for them.

Registering with the Indian government is a very, very long and expensive process. So, for me to do that, I wanted to make sure that I could stand by what I am saying, and it is very difficult for me to be, I mean, it is impossible for me to be inauthentic about what I am saying and what I am doing. Therefore, I know that whatever I am doing, I have to walk the talk.

Your personal experience with spinal and cervical pain seems to have influenced your move towards regenerative medicine. Did being a patient change the way you think about healthcare?

My pregnancy was complicated, and then I had a spine procedure as well. I was looking for something for the spine, lower back; it is all connected. I think also the kind of lifestyles that we have generally had, mostly sedentary, but otherwise also not maintaining the right posture, abusing ourselves that way.

Now, I got it done with a practitioner that I trust. She came forward to collaborate with us, saying that, ‘I would like to work with you because we are not a corporate set-up where we are giving monthly targets. “I do not want to get people to sign up and do things that they do not need.”

You've spoken about ethics in aesthetics. What does ethical practice mean to you?

Especially in an aesthetic practice where it is very predatory by nature, to prey on your insecurities. I told our doctors, all our staff, that you do not have monthly targets to achieve.

I will pay your salary even if it is out of my pocket. Yes, my growth might be slow. I might not have these big numbers to show on the balance sheet to attract more investors who are still willing to burn money. I am not on that journey. I want to build something that lasts, build something with integrity.

You've spoken about women being conditioned to tolerate pain. Has your own experience changed the way you look at women's healthcare?

I have probably been somebody who's pushed myself to the brink where surgery was inevitable. I had to be carried away because I couldn't get up. I had given birth to twins. I was overworked. I was doing so much, and I had ignored it. My pain tolerance was so high that I ignored the pain in spite of the fact that I could not sit and get up normally. Standard mentality all women have.

If music is the part of your life that gave you a public identity, what does building iGenClinics give you personally that music doesn't?

I think there's one thing here. When we started it as an aesthetic practice, we wanted to keep this as a space which is safe for all genders. We have a huge population that are non-binary who are our clients, who are treated with, it's sad that I even have to say it, but treated like anybody else. We treat them the same way as others.

I find it pathetic, but I wanted to create a space that is safe for all genders, have ethics and integrity as a bedrock, and not chase targets. The person who walks through a door is not somebody who definitely has to build before they leave.

The song features lyrics by Kelithee, Thamizh Aadhavan and Aa.Pa.Raja, with vocals by Kelithee and Thamizh Aadhavan. Osho Venkat has composed the music for the song.

From the very first beat, 'Tigerians Roar' unfolds as a vibrant collage of visual spectacle, infectious rhythm and captivating choreography. The dynamic percussion and layered instrumentation further amplify the song’s celebratory mood, while Osho Venkat’s composition gives the track its distinctive musical character.

Written and directed by Selvah Kumar Thirumaran, Texas Tiger has been produced by UK Squad, with Balaji Kumar, Parthiban Kumar, Selvah Kumar Thirumaran and Sujith as producers. The film stars Hridhu Haroon, Samyuktha Viswanathan, Rohini Molletti, Anthony Daasan, Sachana Namidass, Ramesh Thilak, Parthiban, Wafa Khatheeja, Peter K, Samyuktha Shanmuganathan and others.

The technical team comprises Osho Venkat as music director, Vishnu Mani Vadivu as cinematographer, Praveen Antony as editor and K.B. Nandhu as art director.

The film has triggered huge interest in audiences ever since the makers released a title teaser some months ago.

The teaser begins with women's groups staging a protest demanding that the songs of Texas Tiger (Hridhu Haroon) be removed from the Internet as they had objectionable content for lyrics.

Present at the same venue where the women are protesting is a group of young men calling themselves 'Tigerians'. They say they are fans of the musician and back him.

As a constable tries to clear the fans, Texas Tiger makes an entry, climbs atop the police van and voluntarily wears a garland of slippers that women activists were looking to make him wear in the hope that it will leave him ashamed. He, however, takes it in his stride much to the surprise of the women.

Sources close to the unit have told IANS that the film will be a fun, musical entertainer which was sure to appeal to all kinds of audiences.

Sources close to the actor say that he has now signed another new film, this time with director Vivek Athreya, who is best known for having directed the Nani-starrer 'Saripodhaa Sanivaaram'. The film is to be produced by Laxman and Srini of Bridge Productions.

Sources said Irumudi’s success had brought the team together for a special celebration, with director Vivek Athreya and producers Laxman and Srini meeting Ravi Teja and congratulating him on the blockbuster success of the film.

Only a couple of days ago, the actor had announced that he will next be working with director Hasith Goli on a hardcore entertainer, which is to be produced by ace producers Dil Raju and Shirish under the banner of Sri Venkateswara Creations.

Sri Venkateswara Creations, which congratulated Ravi Teja on the success of his film Irumudi, has already announced that the project that they are to work together on will hit screens on January 14, for Sankranthi next year.

Ravi Teja's next film with Hasith Goli hasn't been titled yet and is tentatively being referred to as #SVC64. The combination of Ravi Teja, Hasith Goli and SVC has already made #SVC64 catch the attention of film buffs.

While Ravi Teja is known for his infectious energy, impeccable comic timing and ability to carry commercial entertainers with ease, Hasith Goli has made a name for himself with his quirky concepts, humour and distinctive storytelling. Sri Venkateswara Creations has also built a reputation for backing films with interesting scripts and strong commercial potential.

Sources say that Ravi Teja will begin work on his new film with Vivek Athreya, once he wraps up Hasith Goli's film.

The high-energy track promises a vibrant musical outing, with Nani and Keerthy Suresh bringing their infectious energy to the screen. Jangi Reddy and Prabha have lent their vocals to the song, while Shyam Kasarala has penned the lyrics.

Directed by Srikanth Odela, The Paradise is set to hit screens worldwide on September 24.

In a post that the actor shared on X, he praised Yash for choosing to experiment with the film instead of taking the more familiar route after the success of his previous blockbuster.

In his post, Sudeep stated that Yash had made an "out-of-the-box" attempt instead of going for a regular follow-up to his earlier commercial success.

"Just want to say this, @TheNamelsYash -- you've genuinely tried something out of the box rather than taking the predictable route of making another regular, expected, formulaic follow-up to your previous commercial blockbuster," he wrote.

Sudeep also said that trying something different takes "guts" and praised Yash for moving away from the usual commercial style.

"It takes a different mindset, conviction, and most importantly, the guts to attempt something like this. #Toxic is an unusual and commendable attempt. There are several portions that are genuinely intriguing and open to great debate, discussion, and learning. Kudos to you for daring to experiment and step away from the conventional," Sudeep wrote.

The action-thriller hit theatres on Wednesday and has since received mixed reactions from critics and cinephiles. While some viewers have praised the film, others have not been quite impressed with its story and style.

'Toxic: A Fairy Tale for Grown-Ups' is a gangster film directed by Geetu Mohandas. The film features Yash in dual roles and also stars Kiara Advani, Nayanthara, Huma Qureshi, Tara Sutaria and Rukmini Vasanth, among others. The film is jointly produced by Venkat K Narayana and Yash under KVN Productions and Monster Mind Creations LLP. It was released in theatres on August 26 for Onam.

The film was made by Xin Yumeng and Sun Lifang with an investment of just Rs 19,000. Released in China on August 5, the film initially received a poor response. Fewer than 300 viewers reportedly bought tickets during its first 10 days.

How was the film Niu Lai mocked on social media?

The film's visuals, character animation and voice acting were criticised on social media, with some users describing it as "worse than AI".

On Douban, a Chinese movie-review platform, a viewer described it as “a symbol of the new internet troll culture" while another called it "unbelievably terrible and eye-opening".

How did Niu Lai became a box-office success?

However, the negative reviews helped to draw attention to the film. Scenes from Niu Lai began circulating as memes and going viral on social media. The publicity reportedly prompted more people to visit theatres out of curiosity, with audiences asking whether the film was really as bad as described online.

Niu Lai has reportedly collected around Rs 40 crore in Indian currency so far. With a reported investment of Rs 19,000, the film has earned around 20,000 times its budget.

Did Niu Lai break the record set by Obsession?

Earlier, low-budget film Obsession had reportedly set a record by earning 666 times its investment.

Niu Lai has now reportedly surpassed that figure, earning around 20,000 times its reported budget and breaking Obsession's record in the category of highest-grossing film made on a low budget.

About the film Niu Lai

Niu Lai made by Xin Yumeng and Sun Lifang, the 86-minute animated film follows a young cow named Niu Lai, who grows up to become a warrior.

What follows is a striking blend of Ilaiyaraaja’s timeless musical world and a contemporary electronic soundscape, as the video shifts between the film’s male leads travelling in a car and Muthumani’s world.

Originally composed by Ilaiyaraaja, the song receives a modern trance/EDM-infused treatment, retaining the soul of the original while giving it a fresh, pulsating edge.

Swetha Mohan’s vocals add a distinct richness to the track, while Ilaiyaraaja himself lends his voice, making the rendition all the more special.

With lyrics and music by the maestro, Muthumani bridges nostalgia and modernity, offering a fresh take on a classic Raja sound.The music video, directed by Bharath Muralidharan, is conceived by Karthik Subbaraj, S Thirunavukkarasu and Sherif M, with choreography by Sherif M Dorothy, directed by Karthik Subbaraj, is slated for a September 25 worldwide theatrical release.

The announcement was made by Annapurna Studios, which is producing the film on the occasion of Nagarjuna's birthday on Saturday. The makers also dropped the much-awaited first glimpse of this landmark film on the occasion. Kept largely under wraps through its year-long production, the film has remained out of the spotlight until now.

The first glimpse released on Saturday delivers a bold, powerful statement of the scale, style, and cinematic ambition of the film's makers. The over one-and-a-half-minute glimpse introduces Nagarjuna Akkineni in a stylish, larger-than-life avatar, offering audiences their first look at his character and the world of the film.

The glimpse opens with Nagarjuna’s character sharing his perspective on the world: “There are two types of people in this world. Those who have money and those who don’t. When I had no money, they called me a loser. When I had money, they called me a King. But this identity is more powerful than money. To uphold this identity, I have to keep running.”

The dialogue strikes a hard-hitting note. It offers a sharp glimpse into his rise to power, his mindset, and the relentless drive of maintaining his identity as 'The King'. Nagarjuna’s striking gold look further accentuates his larger-than-life persona, while the stylish visuals establish the distinctive world of 'King100'.

The energetic and impactful music by Devi Sri Prasad adds intensity to the glimpse and elevates Nagarjuna’s commanding screen presence. With its stylish visuals, intriguing character introduction, powerful dialogue, high-energy music and larger-than-life presentation, the glimpse offers an exciting first look at 'King100'. The glimpse concludes with the reveal of the King100 title, locking in its official December release date.

'King100', which will not hit screens on December 24, has been written and directed by RA Karthik and produced by Annapurna Studios. The film features music by Devi Sri Prasad, cinematography by Raja Mahadhevan, production design by Sathees Kumar N, and editing by Navin Nooli. Costumes are designed by Poorva, Rajini, Tanya and Bhramma. Action choreography is by Venkat, Prithivi, Nabakanth, Real Sathish and Dinesh Kasi, while publicity design is by Tuney John.

1. Pokkiri (2007) – SUN NXT

Released in 2007, Pokkiri brought Vijay and Prakash Raj together in one of their memorable hero-antagonist clashes. Directed by Prabhu Deva, the film stars Vijay as Thamizh and Asin as Shruthi, while Prakash Raj plays the ruthless gangster Ali Bhai. Vadivelu and Napoleon are also part of the cast. The film follows a seemingly fearless hitman who gets caught in a dangerous underworld battle while hiding his real identity and mission. Vijay's character, who appears to be a fearless hitman, gradually reveals his real intentions, leading to a tense confrontation with Ali Bhai.

2. Bigil (2019) – Amazon Prime Video

Atlee's 2019 sports drama Bigil featured Vijay in dual roles as Michael and Rayappan, with Jackie Shroff as the antagonist Sharma. Nayanthara, Kathir and Vivek are also part of the cast. The film follows a former footballer who takes charge of a struggling women's football team while confronting the personal and professional challenges standing in his way. The conflict develops as Michael attempts to rebuild the team while facing opposition from Daniel. Alongside the rivalry, the film explores family, ambition, sport and second chances.

3. Varisu (2023) – Amazon Prime Video

posterDirected by Vamshi Paidipally, Varisu featured Vijay and Prakash Raj in another conflict, this time against the backdrop of family and business. Released in 2023, the film also stars Rashmika Mandanna, Sarathkumar and Shaam. The story follows a carefree heir who returns home after years away and becomes involved in a bitter family and business succession battle. Vijay plays Vijay Rajendran, who finds himself caught up in the family's internal conflicts, while Prakash Raj plays Jayaprakash Rajendran, who becomes a key opponent in the business struggle.

4. Leo (2023) – Netflix

Lokesh Kanagaraj's Leo presented Vijay and Arjun Sarja in a tense face-off. Vijay plays Parthiban, a café owner whose peaceful life is disrupted by events connected to his past, while Arjun portrays Harold Das. Trisha, Sanjay Dutt and Gautham Vasudev Menon are also part of the film. The story follows a quiet café owner who is forced to confront a violent past when a group of gangsters begins questioning his true identity. As the story unfolds, the connection between Vijay's character and the Das family adds to the tension and leads to intense confrontations.

5. Jana Nayagan (2026) – ZEE5 (releasing on August 21)

Vijay's last film Jana Nayagan, directed by H Vinoth, brings him together with Bobby Deol in a political action drama. Mamitha Baiju, Pooja Hegde, Gautham Vasudev Menon and Prakash Raj are also part of the cast. The film follows Vetri Kondan, a former police officer and social worker who takes responsibility for his late friend's daughter. His life takes a dangerous turn when she becomes a target of a powerful criminal network, bringing him into conflict with forces involving political power and corruption. Bobby Deol plays John Himmler, setting up another major clash in Vijay's filmography.

Taking to his social media timelines to shower praise on the critically acclaimed film, featuring Anishma Anilkumar and Rishikanth in the lead, Silambarasan aka Simbu wrote, "Watched #ModhaRathri and really enjoyed it. We often discover small, beautiful films from other languages and celebrate them so much. When a Tamil film attempts something fresh with a new team, I feel we should give it the same love and support."

He went on to say, "A story unfolding over a single night, set around a village wedding, with so many characters and little moments that felt so real. The writing, the humour, the way people react to each other, and the characters were all handled really well. Really happy to see a new director and team make something so rooted and interesting. My appreciation to director #RajaKaruppasamy, the entire cast and crew and everyone who backed this film."

It was then that he made a request to producers. He wrote, "A small request to our producers too… films like these need that extra push to reach the audience. Good content deserves to be discovered."

The actor concluded the post by giving a shout out, asking his fans and film buffs to watch the film. "And to all my fans and everyone who loves cinema, do watch #ModhaRathri in theatres and support the team. Wishing the entire team lots of success. Keep making good cinema!"

For the unaware, the film hit screens worldwide on August 21 this year.

'Modha Rathiri' revolves around an ordinary village wedding that turns into an extraordinary rollercoaster of hilarious misunderstandings, unexpected twists and heartwarming emotions.

Set entirely over the course of a single night, the film keeps the laughs coming as one surprise leads to another. Rishikanth is debuting as hero through this film while actress Anishma Anilkumar, who won appreciation for her outstanding performance in ‘Sirai’ and ‘Youth’, plays the female lead.

Apart from Rishikanth and Anishma Anilkumar, the film also features actors Chetan, A. Venkatesh, Bucks, Abdool Lee, Shelly Kishore, Sangeetha Balan, Banupriya, Sumithra Devi L., Varshini Karmegham, Karthikeyan, Velan, and Kowshik Kabilan among others.

The technical crew comprises Surendran Paranjothi as cinematographer, Ashok Arjunan as editor, and Bharath Sankar composing the music. Poornima Ramaswamy has designed the costumes while Art direction has been taken care of by A. Balumahendra.

Actor RJ Balaji shared the first look on social media with the caption, “Escape the law. Face the god.”

Directed by M Selvakumar, who previously helmed Bumper, the film also features actor-director Ameer in a key role.

The film is being produced on a grand scale by Samuel Mathew under his production banner, ‘7 Miles Per Second’. This marks the production house’s second film. Earlier, the banner had produced the Siddharth-starrer ‘Miss You’.

Ghibran has been roped in as the music composer for the film. Instagram fame Villupattu Madhavi has made her debut as a playback singer with ‘Vetta Saami’. She has lent her voice to a folk song titled ‘Sudalaimadan Vettai Paadal’ in the film.

A post by CineBuzz, reshared by Kashyap on Instagram, described the film as one that may require more than a single viewing to fully appreciate. The post rated the film 1/5 on the first watch, saying it was difficult to understand, but gave it 5/5 after a second viewing, noting that its story, characters, symbolism and hidden layers began to make sense.

Calling Toxic a psychological thriller rather than a conventional commercial film, the post suggested that its storytelling and atmospheric presentation reveal themselves gradually.

Kashyap’s reshare has added to the ongoing conversation around the film, which has divided audiences over its unconventional narrative and layered storytelling.

Calling it the RaaJa Trance of Dorothy, Subbaraj shared the song’s poster on social media and announced that the music video will be released on August 29.

“Let’s all get into a Trance!!” the filmmaker wrote.

The announcement comes shortly after the release of Kalyana Virundhu, another song from the film. Dorothy is directed by Karthik Subbaraj and produced by Jyoti Deshpande, Guneet Monga Kapoor and Achin Jain. The film is scheduled for a worldwide release on September 25.

Mayilsamy (Kavin), a good-natured young man, is rejected by his love interest because she finds him too predictable and not 'interesting' enough. He eventually runs away from home and moves to Chennai. On the other side, Devayani (Nayanthara), who lives with her aunt’s family after her mother eloped when she was young and her alcoholic father (Prabhu) stayed distant, is pushed into an arranged marriage with a wealthy relative. She too runs away to Chennai, where she crosses paths with Mayilsamy. What follows is a warm and humorous journey as the two find their way towards each other.

A lot of men dream of falling madly in love with someone, being loved in return, and experiencing the kind of romance that defines most rom-coms. Kavin enacts this beautifully. He plays the flawed Mayilsamy to perfection, one who is also afraid of his parents, lies when necessary, and cries, too. There is a dialogue in the film where he says, “Men shouldn’t cry,” to which Nayanthara replies, “What do men and women have to do with crying?”

Film: Hi Director: Vishnu Edavan Cast: Nayanthara, Kavin, Raadika Sarathkumar, K Bhagyaraj, Prabhu Rating: 3.5/5 stars

In another example of the strength of the writing, the scenes where the couple have late-night conversations are very heartwarming. There is something refreshing about watching a grown man and woman talk under the stars late into the night without any particular agenda, and director Vishnu Edavan handles this portion with sincerity. Nayanthara, who plays Devayani with freshness and grace, has great chemistry with Kavin's Mayilsamy, as evident in how the theater audience was visibly enjoying their simple moments of companionship.

The casting is another win for Hi. K Bhagyaraj, who plays Kavin’s father, with his humour-laden dialogues during key moments landing effectively. Raadika Sarathkumar as Kavin’s mother has enjoyable conversations with her son, balancing humour with sentiment. Prabhu, who plays Nayanthara’s father, has a limited role as an alcoholic, but his appearances leave an impact.

The film is packed with references to Rajinikanth, Kamal Haasan, and even Kavin himself. In the first half, Mayilsamy mentions his admiration for Rajinikanth’s older films, where the actor would lose everything yet still manage to laugh in the face of adversity. This idea is later mirrored in a scene where Mayilsamy is about to propose to Devayani but changes his mind midway during the conversation and breaks into a Rajini-like laugh. Kavin deserves credit for pulling this off convincingly.

Films have often used devices such as a coin toss or a flower falling from an idol to show a protagonist leaving a decision to destiny. Hi gives this familiar trope a charming twist in a scene where Mayilsamy looks up at the sky and decides that if Devayani wakes up before he counts to three and calls out “Mayil”, he will propose to her. As Mayilsamy reaches two, he stretches the moment by counting 2.25, 2.5 and so on, drawing plenty of laughter from the audience. Just when the crowd is enjoying the comic moment, a train horn jolts Devayani awake and she calls out “Mayil”. The scene seamlessly shifts from comedy to an emotional moment, bringing a smile and even a few moist eyes.

Another strength of Hi is its treatment of relatable situations and themes. Circumstances may force people to lie, big or small, but there are always consequences. This concept plays out in Hi, when Mayilsamy lies to protect his love, setting off a chain of dramatic events. Ironically, the very lie he tells to save his relationship eventually becomes the reason for his separation from Devayani. How the two find their way back to each other forms the crux of the climax and by the time the end credits roll, the film is sure to leave you with a smile.

The high-key lighting by cinematographers Leon Britto and Rajesh Shukla adds magic to the frames of Hi and enhances the characters beautifully. Jen Martin’s compositions are refreshing, with the ‘Rasagulla’ song standing out for its placement within the narrative.

On the whole, Hi is a light-hearted family entertainer that manages to hold your attention even without a single stunt sequence. It makes you laugh, moves you to tears in places, and, most importantly, leaves you with a warm feeling.

In a statement issued on Friday, the producer associations said that they had chosen to indefinitely postpone the strike call given in the wake of Tamil Nadu Minister for Information and Publicity Rajmohan's assurance to them that the attention of Tamil Nadu Chief Minister C Joseph Vijay would be drawn to their concerns and that tripartite talks under the guidance of the Chief Minister would be facilitated to find a permanent solution to the problem.

The producers said that they had met Tamil Nadu Minister for Information and Publicity Rajmohan on August 26 and explained the problems plaguing the film industry to him. They said that they had also submitted their requests as a petition to the minister on the occasion.

Stating that after perusing their petition, the Minister had asked the Tamil Nadu Film Distributors Federation and the Tamil Nadu Theatre Owners Association to continue following the process that was in place for releasing films now, the producers pointed out that the minister had told them that the Tamil Nadu government would initiate steps to hold talks between the Tamil Nadu Film Distributors Federation, the Tamil Nadu Theatre Owners Association and the Tamil Film Producers associations after the ongoing Assembly session and find a solution to the problem.

For the unaware, the producers associations had on August 22 announced that no new Tamil films would be released from September 1. They had also said that all film shootings and post production work being carried out on films would come to a standstill from September 1.

The producers said the decision to stop the release of all new Tamil films from September 1 had been taken in response to the unilateral announcement made by the Tamil Nadu Theatre Owners Association and the Tamil Nadu Film Distributors Federation with regard to the release of new films on OTTs.

The distributors and the theatre owners associations had said that they would only be able to screen those films whose producers gave them an assurance that they would release their films on OTT platforms only eight weeks after their theatrical release.

In a joint statement on August 22, the producers had said, "The distributors federation and the theatre owners association, of their own accord and without holding consultations with others, have decided that they can permit the theatrical screenings of only those films, whose producers give letters stating that they will release their films on OTT platforms only after eight weeks after their films' theatrical release."

Pointing out that no such practice was in place in the neighbouring states of Andhra Pradesh, Telangana, Karnataka or Kerala, the producers associations had said that this move, which was being deliberately introduced in Tamil Nadu alone, was one that needed to be condemned.

Tagging himself as the “adult cub,” the star expressed gratitude for being guided on a path of “righteous humility” alongside his “SuperBuddy.”

Downey Jr. took to Instagram, where he shared two images, including a picture of an ace and queen card from a deck of playing cards, as he celebrated 21 years with his wife, Susan Downey.

“Her to whom all is owed…The great joy of being led on a path of righteous humility is mine. She-the lioness - Me-the adult cub / recipient of 21 trips around the sun with my SuperBuddy,” he wrote as the caption.

Downey Jr. proposed to Susan on November 5, 2003, the night before her 30th birthday. They were married in August 2005, in a Jewish ceremony at Amagansett, New York. She gave birth to their son, Exton Elias Downey, in 2012, in Los Angeles, California.

In 2014, Downey Jr. announced via his Facebook and Twitter that he and his wife were expecting a daughter in November. Their daughter, Avri Roel, was born on November 4, 2014.

Talking about Downey Jr. he is one of the highest-grossing actors of all time. The star is known for his versatility across roles, he is the recipient of various accolades, including an Academy Award, a Daytime Emmy Award, three Golden Globe Awards, and two British Academy Film Awards.

He will soon be seen playing Doctor Doom in the upcoming Avengers: Doomsday, a superhero film based on the Marvel Comics superhero team the Avengers. It is intended to be the sequel to Avengers: Endgame and the 39th film in the Marvel Cinematic Universe (MCU).

Directed by Anthony and Joe Russo, and written by Michael Waldron and Stephen McFeely, the film features an ensemble cast led by Robert Downey Jr. as Doctor Doom. In the film, the Avengers, Wakandans, New Avengers, Fantastic Four, and the X-Men converge from different universes to face Doom.

Speaking at a recent event, Ashwath Marimuthu revealed that the shooting schedules of ‘Arasan’ and ‘Dharman’ are expected to conclude around the same time. He added that he would begin work on ‘STR 51’, starring Silambarasan, after completing his commitments on ‘Dharman’.

STR 51 titled 'God of Love'

‘STR 51’ marks the first collaboration between Silambarasan and Ashwath Marimuthu. The director, known for films including ‘Oh My Kadavule’ and ‘Dragon’, is helming the project, which has been titled ‘God of Love’.

Produced by AGS Entertainment, the film was announced amid considerable expectations. The project has remained one of the most anticipated films among Silambarasan’s fans, despite its production being delayed due to the actor’s existing commitments.

Silambarasan busy with Arasan

Silambarasan is currently busy with ‘Arasan’, directed by Vetrimaaran. The film is progressing at a brisk pace and is expected to hit screens during the upcoming Diwali festival.

With the actor committed to ‘Arasan’, work on ‘STR 51’ has been pushed back. However, the project has not been shelved, with the makers maintaining that it will move forward as planned.

Ashwath directing Dharman with Superstar Rajinikanth

Meanwhile, Ashwath Marimuthu is currently directing ‘Dharman’, which stars Rajinikanth. The film is produced by Kamal Haasan, and its second schedule is presently underway.

STR 51 to follow Dharman

Ashwath Marimuthu’s latest statement has now provided clarity on the project’s timeline. He confirmed that ‘STR 51’ will follow ‘Dharman’ once he completes his current commitments.

STR 51 script ready

The director also revealed that the script and music composition for ‘STR 51’ have already been completed. Describing the film as a fantasy project, he said it would carry elements reminiscent of films from the ‘Manmadhan’ era.

The latest update has once again raised expectations among Silambarasan’s fans, who are eagerly awaiting the actor-director collaboration.

On Thursday, Madhu Chopra attended an event where she spoke with the media. She told the media on the sidelines of the event, “There has to be certain boundaries. My body, my choice works in those boundaries. It is good to do it”.

She further mentioned, “But that boundary is necessary. How you put your dignity, and respect other people's values matters a lot. You can do it in a place where these things are common. Sorry to say that, our children also wear it. They wear it for work, for hobbies. But it is acceptable because that works in those spaces”.

Earlier, the brand pulled down the campaign, stating that they have the highest regard and deep respect for Indian culture, traditions and festivals. The brand pulled the advertisement down a day after Kriti Sanon clapped back at trolls criticizing her outfit in the recent Raksha Bandhan advertisement.

Kriti on August 25 shared a note on her Instagram handle, where she pointed out that the essence of any festival lies in the emotions, and not in the clothes we wear. She was seen donning an off-white ensemble featuring a bralette-style blouse, a cape, and a draped skirt for an advertisement for a jewellery brand for Raksha Bandhan.

The brand on Wednesday shared a statement on Instagram, where they said that they have the highest regard and deep respect for Indian culture.

Kriti wrote, “We have the highest regard and deep respect for Indian culture, traditions and festivals. As a brand, we have always believed in celebrating these joyous moments with the entire family and this time we wanted to extend the love and celebration to our pets”.

“If our recent advertisement has inadvertently hurt the sentiments of some segments of society, that was not our intent at all. Out of respect, we have withdrawn the said advertisement from all media. Wish you all the love & positivity this festive season”, she added.

Produced by Royal Fortuna Creations, the film also stars Dhruva, Adhivathi Shetty, Senrayan, Hrithika Biswas and “Finally” Swathika.

“We use fear as a medium to tell a larger mystery. Our intention is to ensure audiences walk out of the theatre with a few questions still lingering in their minds,” Milo said.

The film was shot over 32 days in a mountainous village in Kerala.

The team deliberately avoided sunlight in every scene and often waited for dark clouds to film sequences.

Nova is slated for release in September, though an exact date is yet to be announced.

The controversy began after a jewellery brand released an advertisement featuring Kriti tying a rakhi to her pet dog before tying one on her brother’s wrist. However, her outfit comprising an ivory bralette-style blouse, a long skirt and a shrug drew criticism from some sections on social media.

The advertisement faced further backlash after BJP MP and actress Kangana Ranaut criticised it, calling it “intentionally creepy” and questioning the choice of outfit for the occasion.

Responding to the criticism, Kriti shared a statement on Instagram, asking, “When will we stop telling women what to wear?”

She further wrote that ethnic fashion has evolved over the years, but a woman’s respect for her culture continues to be judged by her clothes. “Culture & traditions are in her heart, not in her neckline!” she said.

Kriti’s sister Nupur Sanon also came out in support of the actress, saying she did not care what Kriti wore while tying a rakhi to her.

Despite the defence, The brand withdrew the advertisement on August 26, saying it was doing so “out of respect” after it had inadvertently hurt the sentiments of some sections of society.

The controversy has since sparked heated debate on women’s clothing, cultural traditions and whether festive attire should be subject to expectations of modesty. Congress leader Rahul Gandhi also appeared to support Kriti’s stand, sharing a message that said what a woman wears, does and where she goes is her choice.

Directed by Geetu Mohandas, the Kannada action drama, which was reportedly mounted on a budget of over Rs 500 crore, was released in theatres across the country on Wednesday with dubs in Hindi, Telugu, Tamil, Malayalam and several other languages.

In a statement, the makers said the film recorded a significant opening in the Hindi market, where it collected Rs 55.4 crore net, surpassing the Rs 53.95 crore opening day collection of Yash’s “KGF: Chapter 2”.

The details of the movie's overseas collection is still awaited.

The film features Yash in the dual roles of Raya and Ticket and presents the actor in a new avatar. His screen presence, action sequences and larger-than-life portrayal have emerged among the highlights of the film, according to the makers.

The film features an ensemble cast including Nayanthara, Kiara Advani, Tara Sutaria, Rukmini Vasanth and Huma Qureshi.

"Toxic" is produced by KVN Productions and Monster Mind Creations.

Directed by Ben Rekhi, the movie is headlined by actor Manoj Bajpayee along with Boman Irani and Divya Dutta.

The story has been adapted for the screen by Sooni Taraporevala, known for her collaborations with Mira Nair on movies such as "Salaam Bombay!", "Mississippi Masala" and "The Namesake".

"Last Man in Tower" centres on Masterji (Bajpayee), a retired school teacher who finds himself standing alone when members of his community begin making choices that challenge his convictions. As the possibility of a different life emerges for those around him, his decision to hold on to what he believes is right begins to strain relationships and loyalties.

Dutta features as Mrs Puri, whose hopes and choices come into conflict with his, while Irani essays a pivotal role.

The film explores community, family, compromise and the choices people make when an opportunity to change their lives comes their way.

Rekhi said bringing the film to life was a fulfilling experience, particularly the opportunity to see Bajpayee and Irani share the screen for the first time.

"The most rewarding part has been witnessing the power of Manoj and Boman - two giants of cinema - working together for the first time in this film. Divya brings an incredible depth and emotional strength to the ensemble," he said.

Rekhi described "Last Man in Tower" as a story about holding on to community and family through turbulent times, saying its themes have become increasingly relevant.

Daggubati, who produced the film and founded Spirit Media, said the story's appeal lay in the way it found universal questions in the lives of a specific group of people.

"What drew us to it was how naturally it finds something universal in the lives of a very specific group of people. There is something very compelling about the way it explores the choices we make and the things we hold on to," he said.

The crew also includes Juhi Chaturvedi, the acclaimed screenwriter of "Piku" and "October" who has penned the dialogues, and composer Govind Vasantha, the man who gave music to films such as "96" and "Meiyazhagan".

Besides Daggubati, the film is produced by Rekhi, Guneet Dogra and Pratiksha Rao.

Titled Ae Meri Zindagi, Tu Chupi Hai Kahan, the song was recorded in late 2023, when Bhosle was in her 90s. It features in filmmaker Harish Vyas’ father-son drama, which stars Anshuman Jha, Raghubir Yadav, Soni Razdan and Ayesha Kapur.

Asha, who ruled Bollywood for over seven decades and recorded more than 12,000 songs, died in April this year at the age of 92. Her celebrated repertoire includes songs such as “Dum Maro Dum”, “Piya Tu Ab To Aaja”, “Chura Liya Hai Tumne Jo Dil Ko” and “Yeh Mera Dil”.

Described as a tribute to life, the song celebrates the joy of living, love and the importance of expressing one’s feelings. Its release on Bhosle’s birth anniversary is intended to honour her enduring musical legacy and contribution to Indian cinema.

“Launching the song on her birthday is intended as a celebration of Asha Ji's timeless voice, her immense legacy and the generations of listeners whose lives her music has touched,” Vyas said in a statement.

For Jha, who also stars in the film and has a personal connection to its story, Asha's voice adds a deeply personal dimension to the narrative.

Om Ka Hari is deeply special to me because, at its heart, it is about the importance of saying 'I love you' to your father, something I never got the chance to do. To have Asha Ji's voice carry the song that represents the catharsis of the film is one of the most profound and memorable moments of my life as an artist,” he said.

The new release date was shared by the makers on social media with the tagline, "The darkest chapter of our history opens this October". The film was earlier scheduled to release on September 11.

Directed by Rahul Sankrityan, "Ranabaali" is a period action drama set against the backdrop of British colonial rule in the Rayalaseema region. The film draws from historical accounts, oral histories and lesser-known episodes from the period between 1854 and 1878.

Deverakonda stars in the titular role, with his actor-wife Rashmika Mandanna playing the female lead.

Hollywood actor Arnold Vosloo, known for films such as "The Mummy" and "The Mummy Returns", is also part of the cast.

The film is being presented by Gulshan Kumar, Bhushan Kumar and T-Series Films and produced by Mythri Movie Makers. Music and background score are by composer duo Ajay-Atul.

"Ranabaali" marks another collaboration between Deverakonda and Sankrityan after their 2018 film "Taxiwaala". It also reunites Deverakonda and Mandanna, who previously starred together in "Geetha Govindam" and "Dear Comrade".

Sharing the trailer on X, Dhanush wrote, “Here is #immortal trailer, best of luck @gvprakash.”

The trailer opens with a tribal couple in a foreign land preparing to welcome their child before shifting to India, where Mahi (G V Prakash Kumar) is searching for a room on a sharing basis.

He receives a call from Sindhu (Kayadu Lohar), who says she is living alone and looking for a roommate. Mahi, who falls for her, moves into her room.

After noticing that Sindhu is both wealthy and attractive, he decides to settle down with her. However, things soon take a dark turn as a series of disturbing developments leave Mahi shaken. Sindhu, meanwhile, appears to know more about the strange happenings inside the flat.

The film has received a clean ‘U’ certificate from the censor board and is scheduled to hit theatres on September 4

Immortal also features TM Karthik, Kumar Natarajan, Lollu Sabha Maaran, Aaditya Kathir, Arshu Maharjan, Pema Tsamchoe and Sunita Shrestha.

Produced by Arunkumar Dhanasekaran, the film has cinematography by Arun Radhakrishnan and music by Sam CS.