The promo begins with a director and stunt director asking a film star, Random Star Rahul, to perform a simple stunt himself. When he refuses, the team decides to use a body double.

Jackie, played by Dhruv, then arrives on the set to perform the stunt. A conversation with his girlfriend reveals that he has already suffered injuries while performing stunts in the past. But Jackie remains unfazed as he takes on a group of men charging towards him.

The situation takes an unexpected turn when another group arrives on the set, claiming they are ready for the shot. The director and stunt director soon realise that the men Jackie is fighting are not stunt performers but real villains.

The film is produced by Naveen Yerneni and Y Ravi Shankar under the Mythri Movie Makers banner. National Award-winning composer Santhosh Narayanan is scoring the music, while Viki is handling the cinematography. Jayasuriya is the editor, and GM Sekhar is the production designer. Action choreographer Vikram Mor is designing the stunt sequences.

Speaking at a pre-release event, Adhi, who has directed the film and plays the lead, explained how the sequel differs from the first part. “Meesaya Murukku was a biopic based on my own life. But Meesaya Murukku 2 is a much broader and more universal story. It is a global story about music, musicians and the lives they lead. It explores the dreams, struggles, journeys and emotions of people who choose music as their way of life,” he said.

The film also focuses on Gana musicians and artistes, whose songs often draw from their personal experiences and struggles.

“The film becomes an important record of Gana artistes who express their struggles, experiences and journeys through songs and make a living through their art. Their stories and the world they come from are an important part of this film,” Adhi said.

The sequel also features a new father character. In the first film, late actor Vivek played Adhi’s father. Speaking about his absence, Adhi said, “No one can ever fill the place of the late Vivek sir, who played my father in the first part. However, Meesaya Murukku 2 moves through three different time periods, and there is a very important father character in this story as well. I felt that Baba Bhaskar Master was the right person for this role.”

Adhi said Baba Bhaskar was initially hesitant about taking up the role but eventually agreed after trusting his vision for the character.

“He was slightly hesitant initially, but he trusted me and went ahead with the role. He has performed extremely well. I genuinely believe that after this film, he will earn a significant place in Tamil cinema as an actor,” he said.

The film also introduces Ketika Sharma as Laila Singh, a dancer who travels to Chennai from Punjab. The story brings together music, dance, ambition and love, while exploring the lives of people who choose art as their profession.

Produced by Anne Sajeev and PK Sajeev under Fragrant Nature Film Creations, Half was presented to an international audience as an intense and immersive film.

Director Samjad, producers Anne Sajeev and PK Sajeev, actors Ranjith Sajeev and Aiswarya Raj, composer Mithun Mukundan and sound designer Vishnu Govind took part in the question-and-answer session. The discussion covered the film’s theme, visual treatment, music, sound design and performances.

The lead actors also spoke about their characters, while the film’s action sequences emerged as another talking point. The fight choreography by Very Tri Yulisman received particular attention from the audience.

The music and sound design were also discussed for their contribution to the film’s atmosphere. Pappinu has handled the cinematography, while Mahesh Bhuvanend is the editor and Vishnu Govind has handled the sound design.

At the centre of the story is a Rs 500-crore racket involving drugs and gambling, which draws him into a world of crime and deception. The protagonist is also in love with an RJ, Sam, played by Faria Abdullah. The trailer shows him planning a major heist with the help of his friends. However, their plans are disrupted by Reddy, played by Sampath Raj, forcing him to rethink his approach and take on the challenge.

The trailer suggests that Sigma will combine action, adventure, humour and emotion. The story also explores the bond between a mother and her son, adding an emotional layer to the heist narrative.

Apart from Sundeep Kishan and Faria Abdullah, the film features Raju Sundaram, Sampath Raj, Shiv Pandit, Anbu Thasan and Yog Japee in prominent roles. Krishnan Vasant is the cinematographer, while S Thaman has composed the music. National Award-winning editor KL Praveen is handling the editing.

Atlee described Baththa as a commercial entertainer that explores humanity and responsibility, with something meaningful for every member of a family. “Very few films can transcend generations and teach something meaningful. ‘Baththa’ has something for fathers, mothers, daughters, sons and every human being,” he said, adding that the film presents its themes through commercial cinema.

Praising Balaji Tharanidharan for recreating the 1980s with authenticity, Atlee said the director never compromises when it comes to cinema. Atlee recalled how the project came to him through Vijay Sethupathi. “During ‘Jawan’, he told me about the project, and I immediately said, ‘Don’t give it to anyone; I want to produce it.’ That’s how ‘Baththa’ came to me,” he said.

He also praised Vijay Sethupathi for trusting him with the project and lauded Sai Abhyankkar’s work, urging audiences to experience the songs and background score on the big screen.

Director backs Sai Abhyankkar for National Award

Balaji Tharanidharan said he wrote the story during the lockdown and later narrated it to Vijay Sethupathi, who introduced him to Atlee. The project moved forward after both of them liked the story. One of the director’s biggest surprises was Sai Abhyankkar’s music. Balaji said Atlee had recommended the composer for the project and praised his ability to create music for a film set in the 1980s, despite being born after 2000. “Sai Abhyankkar definitely deserves a National Award for this film. If he doesn’t get one, I’ll be angry,” he said.

Sai Abhyankkar, in turn, said Baththa was the second film he signed and credited Atlee for being the starting point of the project. He expressed happiness at working with Balaji Tharanidharan, whose films he admires, and said the director’s faith in him despite his limited experience gave him confidence.

The composer also spoke about his two-and-a-half-year association with Atlee, who motivated and taught him throughout the journey. He thanked Priya Atlee for supporting him like an elder sister and described working with Vijay Sethupathi as a dream come true.

Vijay Sethupathi praises co-stars

Vijay Sethupathi said he immediately felt that the story would connect with audiences when Balaji Tharanidharan narrated it to him. He described the director as a person who never compromises on cinema and said working with him felt more like spending time with a friend than being on a film set.

Praising Lijomol Jose’s performance, Vijay said he was genuinely amazed by her work. He also lauded young performer Sahasra and the other artistes, while joking that Sai Abhyankkar had stolen the show.

“I felt like I was only the second hero of this film,” he said, referring to the young boy’s performance. He described Sai as a grown-up child with incredible energy and innocence, adding that he hoped the composer would never lose that spirit.

Vijay thanked Atlee for carefully choosing his projects and expressed confidence that Baththa would offer audiences a fresh cinematic experience.

Lijomol Jose, who became emotional while speaking at the event, said the film was particularly special to her. She expressed gratitude for the opportunity to work with Balaji Tharanidharan, Vijay Sethupathi, Atlee and Sai Abhyankkar, and thanked Vijay for his kindness, appreciation and encouragement throughout the journey.

Gondhal is also the fourth Marathi film to be selected as India's Oscar entry, after Shwaas, Harishchandrachi Factory and Court. Read on for more facts about the thriller:

1. Gondhal is based around a traditional Maharashtra ritual

The film is set against the backdrop of Gondhal, a traditional ritual of rural Maharashtra featuring music, dance and mythology.

2. About the director of the film

Santosh Davakhar directed Gondhal and also serves as the film’s screenplay and story writer.

3. Synopsis of the film

The film follows Suman, a young bride, and her lover Sarjerao, with their relationship forming the centre of the thriller. Suman uses Sarjerao’s obsession with the Gondhal ritual and turns the sacred tradition into a deadly chess match.

4. Gondhal was selected from 33 films

The Marathi thriller was chosen as India’s Oscar entry from 33 films submitted for consideration across multiple languages and genres.

5. Director Davakhar wanted to showcase India’s heritage

The director said he wanted to make a film that represents India’s varied culture and heritage, referring to Gondhal as a film that showcases the country’s culture in a different way.

6. Composer of the music

Veteran composer Ilaiyaraaja has composed the music for the film.

7. The cast includes both established actors and newcomers

The film stars Kishor Kadam and Suresh Vishwakarma, along with newcomers Ishita Deshmukh and Nishad Bhoir, among others.

8. When was the film released in theatre?

Gondhal was released in cinemas in November 2025. It's not yet released on OTT platforms.

9. Gondhal's world premiere

Gondhal had its world premiere at the 56th International Film Festival of India (IFFI) in Goa in 2025 in the Indian Panorama segment. Davakhar also won the Silver Peacock for Best Director

10. Fourth Marathi film to be selected

Gondhal becomes the fourth Marathi film to be selected as India's Oscar entry, after Shwaas, Harishchandrachi Factory and Court.

11. Oscar shortlist stage

Prior to the award ceremony, the Academy of Motion Pictures Arts and Sciences is scheduled to announce a 15-film shortlist for the International Feature Film category in December, followed by nominations voting in January, 2027.

- The 99th Academy Awards are scheduled to be held on March 14, 2027.

- Last year, India picked Neeraj Ghaywan's Homebound, but it could not make it to the final nominations.

(With inputs from PTI)

The film's official trailer was unveiled on Friday evening and it offers a glimpse into a story about friendship, love, violence and the emotional conditioning that teaches men not to cry.

"Dorothy" stars Rishikanth, Sananth and Keerthy Suresh in key roles, with music composed by Ilaiyaraaja.

The film, which had its world premiere at the Toronto International Film Festival (TIFF) 2026, follows two friends, Karthi and Subbu, whose lives in rural Tamil Nadu are shaped by caste, violence, gangsters and patriarchy.

The trailer opens with Karthi, a guilt-ridden truck driver, stepping out of his vehicle on an Indian highway and making a phone call that sets the story in motion.

The narrative then travels back to rural Tamil Nadu, where the lives of Karthi and Subbu take a turn after Dorothy enters their world.

“Dorothy” became the first Indian Tamil film to premiere at TIFF in a decade.

The movie is presented by Jio Studios and produced by Sikhya Entertainment in association with Dhammam Films.

Jyoti Deshpande, Guneet Monga Kapoor and Achin Jain are the producers.

The Marathi-language thriller was picked as India's submission for the Best International Feature category for the 99th Academy Awards on Friday.

"We were confident while making and submitting the film that we will be India's official entry for the Oscars. I'm proud to represent India with my film," Davakhar, who also serves as the screenplay and story writer of the film, told PTI.

"Gondhal" was among 33 films submitted for consideration, spanning multiple languages and genres. The list includes both big-budget spectacles and indie films such as "Dhurandhar", "Border 2", "Peddi", "Main Vaapas Aaunga", "Ikkis", "Haq", "Governor", "Hanuman Ansh", "Teeghi", "Balan The Boy", "Dorothy", "Shape of Momo", and "Angh", among others.

Set against the backdrop of Gondhal, a traditional ritual of rural Maharashtra featuring music, dance and mythology, the film revolves around a newlywed couple.

According to the official synopsis, the film follows Suman, a suffocating young bride, who uses her lover Sarjerao's obsession in Gondhal ritual and turns sacred tradition into a deadly chess match.

"Internationally, there's a perception about Indian films that they are about poverty and casteism. I thought I should make film, which will represent our heritage, and 'Gondhal' represents the varied culture and heritage of India.

"We've a culture that we are proud of and we've all brought that out in our film in a different way. It is one of the best crime thriller films," the director, who previously made short films such as "Adnyat", "Antar 19" and "Ajanvruksha" said.

For both the Indian and international audiences who have not watched "Gondhal", Davakhar said his film offers an opportunity to experience India's rich heritage and described it as "a gem".

The film stars acclaimed actors Kishor Kadam, Suresh Vishwakarma, alongside newcomers like Ishita Deshmukh and Nishad Bhoir, among others. The music is scored by the veteran composer Ilaiyaraaja.

Davakhar said they are now working towards an extensive promotional campaign in the US ahead of the awards show, which will take place on March 14, 2027.

Prior to the award ceremony, the Academy of Motion Picture Arts and Sciences is scheduled to announce a 15-film shortlist for the International Feature Film category in December, followed by nominations voting in January, 2027. The final five nominees will be announced by the end of January.

"We've a plan for the next six months as to how to ahead about it. I know what responsibility India has given to us. We are going to make our best efforts," Davakhar added.

Last year, director Neeraj Ghaywan's pandemic drama "Homebound" was India's official entry for the Academy Awards and it made it to the 15-film shortlist but failed to secure a spot among the final five nominees.

No Indian film has managed to win in the Best International Feature film segment, which was earlier known as the Best Foreign Film category.

Only three Indian films have received nominations in the category – Mehmoob Khan's "Mother India", Mira Nair's "Salaam Bombay" and Ashutosh Gowarikar's "Lagaan". Deepa Mehta's "Water", starring John Abraham and Lisa Ray, also received a nomination but it was submitted from Canada.

Described by Ranjith as a blend of action and science fiction, Vettuvam is set across three different periods. The glimpse establishes connections between the past, present and future, with the lives and practices of people from one period influencing events in another.

The clip introduces several groups involved in a struggle for power and authority. Their conflicts are portrayed through traditional martial arts and combat practices, with the actors undergoing training in the respective forms for the film.

The film marks Ranjith’s reunion with Arya after Sarpatta Parambarai, while VR Dinesh, who previously worked with the filmmaker in Attakathi, plays the lead.

Sobhita Dhulipala returns to Tamil cinema after her appearances in the Ponniyin Selvan films. The cast also includes Kalaiyarasan, Mime Gopi, Guru Somasundaram, Shabeer Kallarakkal, John Vijay, Sai Dheena, Anand Saami, Harish Uthaman and Lizzy, among others.

Backed by Ranjith’s Neelam Productions and Learn & Teach Productions, Vettuvam has music by GV Prakash Kumar. The film, which was first announced at the Cannes Film Festival in 2022, is now slated for a December 2026 theatrical release.

Taking to its social media timelines to share the link to the trailer, Ayngaran International, the production house presenting the film, wrote, " Their romance was only one side of their story. #AnbilAvan - TRAILER OUT NOW! In theatres from September 25. Starring @ashokselvan @preity_mukhundhan. Directed by @karti.kane. A #GovindVasantha Musical."

The trailer begins with Ashok Selvan's character explaining about himself and his wife to Revathy. "My wife's name is Iyal," he begins and explains that his wife (played by Preity Mukhundhan), who hailed from a rich family, gave up everything for his sake when he had nothing.

The trailer then shows both Ashok Selvan's character and his wife Iyal working in a star hotel. Both husband and wife are subjected to constant supervision and taunts.

At one point, Ashok Selvan's character says he wants to give the life he promised to Iyal. The couple get married and move to a hill station. It is then that life throws a different kind of challenge.

A very disturbing incident occurs when Iyal is alone at home. We then see a number of shady characters who make statements regarding this incident. One man, who seems like a politician, is seen saying, "That night something happened. I too am remorseful that it happened." Another shady looking character says, "You have come to my town and now, it is a problem concerning my home."

Meanwhile, the couple seem to be in a state of perpetual fear. We see a series of grim action sequences in the trailer. The police officer investigating the case, with a cheeky smile, says, "Looks like sir belongs to the soft type." Soon after, we see Ashok Selvan's character involved in a series of explosive action sequences.

The challenging situation results in disagreements between the couple. What happens then is what the film is all about...

It may be recalled that actress Preity Mukhundhan, who plays the female lead opposite actor Ashok Selvan in the film, had, on an earlier occasion, told him that she was "eternally grateful" to him for giving her the amount of space that she had now got in the film.

Participating in the title teaser launch event of the film, Preity Mukhundan had said, "This team is more than a team. They are family. Everyone in this team is very close to my heart. When you watch the film, all of you will like it. You will see how much heart and passion has gone into this film. I am genuinely feeling emotional."

The actress, who thanked actor Ashok Selvan, said, "Ashok, I don't know how to thank you. Of all the mainstream male actors, Ashok is one person I can confidently say who will, without any insecurity, give space to his female co-stars. It is an amazing, amazing quality. Thank you. I am eternally grateful to you for giving me the space you have given me in this film."

The actress also thanked director R Kaarthikeyan for helping her pull of the challenging role. She said, "Karthik sir, they told me that you were the one who vouched for me when I did the audition. I don't know why but throughout this film, you have helped me, taught me the nuances of this character, worked with me and extracted it from me. Thank you so much. This is a character that you have beautifully written. As you said, this character will connect with a lot of women and girls."

The film, which has been produced by K.Karunamoorthy, Ashok Selvan and Abinaya Selvam, has music by Govind Vasantha.

The film has cinematography by Gowtham Rajendran and editing by Selva RK. Stunts in the film have been choreographed by Peter Hein and art direction is by Manikandan Srinivasan. While the story of the film has been penned by Vignesh Raja, its screenplay have been jointly penned by Vignesh Raja, R Kaarthikeyan and Ashok Selvan.

Soundarya Rajinikanth, who has produced the series, is also its showrunner.

Directed by acclaimed filmmaker Balaji Mohan, the series is to be streamed on the OTT platform Netflix.

#Love has been written by Nirmal Williams, with Sharada Subramanian and Shweta Chakravarty joining in as co-writers.

Set against the vibrant world of rival dating apps 'FOUND' and 'Find My Bae', '#Love' follows founders Tara and Matthew, who've built entire businesses matching everyone else... Except for themselves.

Netflix India Vice President (Content) Monika Shergill said, “This has been a defining year for us, as we’ve deepened our investment in storytelling from the South of India — and #LOVE is a title we’re especially excited about."

"As we expand our slate across Tamil storytelling, this contemporary, feel-good rom-com stood out as a genre and that was ready for a fresh, confident take. #LOVE steps into that space with a modern, chemistry-driven love story about two rival dating-app founders who end up testing their own theories of love on each other," she added.

"Director Balaji Mohan, together with showrunner and producer Soundarya Rajinikanth, bring a wonderfully playful perspective to the series, while Arjun Das and Aishwarya Lekshmi bring the central relationship to life with chemistry, warmth and humour. The series captures that giddy, unguarded feeling of falling for someone you never saw coming - funny, warm, and exhilarating to anyone who's ever overthought a text message,” she said.

Speaking about the series, showrunner and producer Soundarya Rajinikanth said, "What drew me to #Love was how effortlessly it captures relationships today without losing its warmth and emotion. Balaji has created characters who are ambitious, flawed and incredibly easy to root for, and Arjun and Aishwarya bring such a refreshing energy to them. It's exactly the kind of contemporary story we were excited to bring to audiences with Netflix."

Echoing this, director Balaji Mohan added, "When we made #Love, we wanted to tell a story that feels like it belongs to today. Romance has evolved, the way we meet people has changed, but the emotions at the heart of relationships remain incredibly familiar and timeless. What I love about this series is that it isn't only about two people falling for each other – friendship, family, ambition and finding yourself are equally important parts of their journeys."

Calling The Paradise a potentially revolutionary film, Srikanth said the story revolves around the emotional bond between a mother and her son. Nani plays a rebel whose fight for his mother and his land forms the crux of the narrative. The director said the film explores the larger struggle of a community to protect its existence.

The director revealed that the film draws inspiration from real incidents and experiences he witnessed while growing up in Telangana. Certain incidents around his hometown left a lasting impression on him and eventually inspired the story. Nani described

The Paradise as the kind of mass film he had long wanted to experience as a moviegoer.

“I don’t know if I’m a good actor or not, but I’m definitely a good audience and as an audience I have always wanted to watch a certain kind of mass film, and The Paradise is the film I have been waiting to watch in theatres,” he said.

Stressing that the film goes beyond conventional commercial elements, Nani said the team had attempted to tell a genuine story with powerful emotions while also creating memorable theatrical moments.

Calling it the most tiring film of his career, the actor said the team had put in its hardest work for the project. He also described it as his most anticipated film so far and promised audiences an intense theatrical experience. Switching to Tamil, he added, “Tharamaana sambhavam kaathirukku.”

Nani credited Tamil cinema legends Kamal Haasan, Mani Ratnam, Bharathiraja and K Bhagyaraj for shaping his knowledge, interest and love for cinema, describing Tamil films as a “bible” for him.

The actor, who has previously featured in Tamil films Veppam and Aaha Kalyanam, said he had been waiting for the right opportunity to work in another Tamil film. He expressed hope of collaborating with filmmakers such as Mani Ratnam, Vetrimaaran and Mari Selvaraj.

Explaining why he avoids the ‘pan-Indian’ label, Nani questioned why films from South India receive the tag when they reach audiences across languages, while Hindi films such as Jawan and Pathaan continue to be identified by their original language.

On his third collaboration with music composer Anirudh Ravichander, Nani said the two shared a close bond and that their previous films together had been successful. He jokingly described their relationship as being “like lovers”.

He also spoke about his friendship with Keerthy Suresh, who joined the film for the song ‘Yeshanagula’. Nani said Srikanth had wanted her to be part of the film, adding that her participation made the team feel complete. He noted that the song had received a strong response online.

Responding to a question about the cigarette-smoking visuals in the posters, Srikanth said the scenes reflected the character’s depressed emotional state and would make sense within the story. Nani said the film had completed the censor process, though its certificate was yet to be granted. The team anticipated an ‘A’ certificate, which could limit access for children and some family audiences. He maintained that actors should explore different genres and said the film’s intensity required a particular treatment.

Asked about actor Vijay becoming Tamil Nadu Chief Minister, Nani spoke about the trust audiences build in actors over the years, saying it goes beyond stardom and box-office success.

Published in 2008, Unaccustomed Earth became Lahiri's first book to top The New York Times Best Seller list. Her work was previously adapted into Mira Nair’s The Namesake (2006).

Freida Pinto rose to international fame with Slumdog Millionaire (2008). Siddharth was seen in this year's Operation Safed Sagar and Lust Stories 3.

Short stories into a series

Writer and showrunner Madhuri Shekar, known for her work on 3 Body Problem (2024) and The Nevers (2021), has reimagined Lahiri's 8 short stories into one full-fledged series, bringing in characters from all the stories.

Unaccustomed Earth is the story of an interconnected Indian American Bengali community in Cambridge, Massachusetts. At the center is Parul Chaudhury (Freida Pinto), a devoted wife and mother whose return to Cambridge after five years in Mumbai brings her face-to-face with Amit Mukherjee (Siddharth), the love she never quite left behind.

“This image came to me of all of these characters from the different stories sitting around the Thanksgiving table together,” says Shekar. “In the book, the one thing the stories have in common is that they’re all set in Cambridge, Massachusetts. So if all of these people technically live in the same spot, what if they all know each other? And then, suddenly, these connections started forming between them. This beautiful community just blossomed.”

The cast and crew

The series stars an ensemble of Indraneil Sengupta, Parveen Kaur, Adi Roy, Iyla Sundarsingh McKaig, Justin Bartha and Palomi Ghosh along with Pinto and Siddharth.

The executive producers include Madhuri Shekar, Jhumpa Lahiri, John Wells, Nisha Ganatra (Freakier Friday (2025), Late Night (2019)), Erica Saleh, Erin Jontow, and Celia Costas. Ritesh Batra of The Lunchbox (2013) fame also executive produces and directs the first two of the eight episodes.

Unaccustomed Earth reunites Netflix, Wells, and Warner Bros. Television, following the critically acclaimed drama Maid (2021) and the hit series UNTAMED (2025).

The guidelines have been revised for the first time in nearly 35 years, retaining most existing provisions while introducing a specific warning for drug-related scenes. The previous guidelines were issued in December 1991.

In addition, the government has also reconstituted the CBFC with an 18-member board for a three-year term, including actors Suniel Shetty, Preity Zinta, Pankaj Tripathi and Prosenjit Chatterjee, filmmaker Priyadarshan, musician Ricky Kej and others. The board will function under Shashi Shekhar Vempati who replaced Prasoon Joshi, following his appointment as the chairman of Prasar Bharati.

From curbing excess violence to protecting India’s sovereignty, the revised guidelines lay down the following provisions for film certification:

1. Responsible Entertainment

The film should remain responsible and sensitive to the values and standards of society while providing clean and healthy entertainment. The film should, as far as possible, have aesthetic value and be of good cinematic standard.

2. Creative Freedom And Social Change

Film certification is responsive to social change, and the Board should take account of such changes. The guidelines also state that artistic expression and creative freedom should not be unduly curbed.

3. No Glorification Of Violence

Anti-social activities such as violence should not be glorified or justified. Modus operandi of criminals or content likely to incite offences should not be depicted. Children should not be shown as victims, perpetrators or witnesses to violence. Abuse or ridicule of disabled persons and needless cruelty to animals should also be avoided.

4. Curbing Violent Imagery

Scenes that glorify, dehumanise and desensitise people towards violence should not be shown. Pointless or avoidable scenes of violence, cruelty and horror, or violence primarily intended to provide entertainment, should also not be shown.

5. Drug And Substance Warning

Scenes that have the effect of justifying or glorifying drinking, drug addiction or tobacco consumption should be avoided. While showing scenes with narcotic drugs, a statutory warning should follow. The warning: “Illicit Narcotics Destroy Health and Guarantee Imprisonment. Say No to Drugs.”

6. Vulgarity And Obscenity

Scenes that offend people with their vulgarity, obscenity or depravity; words that could have dual meanings; scenes degrading women should be avoided.

7. Sexual Violence Curbs

Scenes depicting sexual violence against women, like an attempt to rape, rape or any form of molestation, and also sexual perversions should be avoided and, if germane to the theme, kept to a minimum without showing details.

8. Respect For Communities

Visuals or words contemptuous of racial, religious, or other groups should not be presented.

9. No Anti-National Content

Visuals or words which promote communal, obscurantist, anti-scientific and anti-national agendas should not be presented. The guidelines also state that friendly relations with foreign States should not be strained.

10. Protecting National Integrity

The Board should ensure that scenes do not call into question the sovereignty and integrity of India or endanger the security of the State and public order.

National symbols and emblems should only be shown in accordance with the Emblems and Names (Prevention of Improper Use) Act, 1950.

11. Respect For Courts

Visuals that tend to disregard or undermine the dignity of the Court shall be considered 'Contempt of Court'. The guidelines also cover visuals or words involving defamation of an individual or a body of individuals.

12. Context Of The Era

The film should be judged in light of the time period it belongs to while ensuring that it does not deprave the morality of the audience.

13. Age-Based Certification

Films may be certified with age-based UA markers: UA 7+, UA 13+ or UA 16+, depending on suitability for children below seven, 13 or 16 years with parental guidance.

Films found unsuitable under the criteria but considered suitable for adults may be certified for adult audiences only. For unrestricted public exhibition, the film should be suitable for family viewing, including children.

Titled 'Ondra Renda – 25 Years of GVM,' the concert will take audiences through music, stories and memories from Menon's 25-year journey in cinema.

Unlike a conventional concert, Menon himself will take the stage to narrate the stories and creative inspirations behind songs from his films, including Minnale and Vaaranam Aayiram.

The Kuala Lumpur show will feature singers Karthik, Shruti Haasan, Krishh, Blaaze, Saindhavi, Paal Dabba, Sathya Prakash and Haripriya. The musicians' ensemble includes Keba Jeremiah, Lalit Talluri, Manoj Kumar, Keith Peters and Bhuvanesh Narayanan.

The concert will be held at The Arch Galeries on Jalan Tun Razak. The venue's concert hall can accommodate up to 5,550 people, and organisers expect more than 5,000 cinema enthusiasts and families to attend the event.

Menon has previously spoken about how music plays a central role in his filmmaking, saying he often has songs in mind even before developing his films.

Ahead of his ‘Yennodu Vaa Veedu Varaikum’ concert earlier this year, he told DT Next: “I was completely inspired by songs, which is why I forayed into movies. The songs I grew up with contributed to why I entered this industry. Even when I write, I listen to songs. Which is why, my narratives have also leaned predominantly towards being musical as well as lyrical,” he added.

The concert is organised by My Events International in collaboration with Radaan. It has been conceptualised and created by Oru Oorile Oru Film House and Preethi Srivijayan, with BeatRoute serving as the creative promotions partner.

Written and directed by Santosh Davakhar, the film is set in rural Maharashtra and plays out over a night of a traditional ritual centred around a newly-wed couple. The film was chosen for Oscars 2027 from a list of 33 films, said P Seshadri, chairperson of the selection committee.

Last year, India picked Neeraj Ghaywan's pandemic drama "Homebound" for its official submission to the Oscars. However, it could not make it to the final nominations.

"Ghondal" is the fourth Marathi film to be selected for the Oscars. The earlier titles were "Court (2015), "Harishchandrachi Factory" (2009), "Shwaas" (2005).

No Indian film has managed to win in the Best International Feature film segment, which was earlier known as the Best Foreign Film category.

Only three Indian films have received nominations in the category -- Mehmood Khan’s “Mother India”, Mira Nair’s “Salaam Bombay” and Ashutosh Gowarikar’s “Lagaan”. Deepa Mehta’s “Water”, starring John Abraham and Lisa Ray, also received a nomination but it was submitted from Canada.

The 99th Oscars will take place on Sunday, March 14, 2027.

The government is working to provide better facilities for artistes, new opportunities for technicians and modern platforms for the younger generation, Shelar was quoted as saying in an official release.

He was speaking at an event organised by the Maharashtra Film, Theatre and Cultural Development Corporation under the 'Seva Sankalp Abhiyan'.

Film City managing director Swati Mhaske Patil, deputy manager Prashant Sajanikar, National Gallery of Modern Art director Nidhi Chowdhury and a large number of artistes, technicians and singers were present.

Studio No. 1 at Chitranagari was inaugurated by Shelar. He said the improved infrastructure would provide better facilities for shooting and film production, and the government was working to develop Chitranagari as a modern production centre.

Two new ambulances were also provided through 'Doctors For You' for artistes, technicians and employees. With the existing ambulance, Chitranagari now has three ambulances.

A free bus service to Chitranagari has also been started, the release said.

An advanced fire-fighting system has been made operational at Chitranagari, the release said. It will cater to 15 studios, the administrative building, helipad, Khandala Ghat and the area around the managing director's residence.

Chitranagari is the first Maharashtra government property to receive the final fire-safety No Objection Certificate, the release said.

A special photography exhibition, 'Lens and Legacy: Bollywood's Visual Journey', organised jointly by the National Gallery of Modern Art and Chitranagari, was inaugurated by Shelar on this occasion. PTI MR KRK

Talking to IANS on the sidelines of the film's launch event, which was held at the Music Academy, Allu Aravind said, "Fans can expect the film to hit screens anytime post August 2027."

Titled 'MS - A Legacy on Screen', the film, which has triggered huge expectations and excitement among fans of the iconic singer, is to be directed by Gowtam Tinnanuri. Rashmika Mandanna is to play the lead role in the film, which is to have music by one of the country's top music directors, Anirudh.

Director Gowtam Tinnanuri, who is to direct the eagerly awaited 'MS - A Legacy on Screen', the biopic of legendary Carnatic singer and Bharat Ratna Awardee M S Subbulakshmi, has already made it clear that they would want to capture the human side of the iconic singer's life in the film.

Speaking at the film's launch event, director Gowtam Tinnanuri disclosed that his entire team had been researching on the great singer for the last one year.

He said, "For the last one year, our entire team was constantly living with one name, M.S. Subbulakshmi Amma. When we started our work, we first thought we were working on a picture in which we had to show India's greatest musician ever produced. But after getting into the story, we slowly realised that it was not simply about a great musician. It's about an extraordinary life."

He went on to add, "When you see M.S. Amma's life, the Bharat Ratna, the great stages, the great concert halls -- all these are just parts of her life. But behind all these, there is a human being, there is a daughter, there is an artiste, there is a woman who dreamed, who saw success, who saw failure, who did a lot of sacrifice. We want to capture that human side of M.S. Amma's life in this film."

The director said, "I am so glad there are lot of youngsters who have come here. We live in a very fast-paced world. Fame comes overnight and probably success is measured by the number of likes, shares and subscribers that one gets. On the other hand, when you see M.S. Amma, her greatness was built over a lifetime through sheer discipline and patience. And I think that's a very good and very powerful message what we can take to the next generation."

Gowtam Tinnanuri also sought to reassure the fans of the great singer that the team looking to make the biopic understood the great responsibility they had.

"From the entire team, I would like to say one thing. We truly understand the magnitude of this story. And whatever the frame we create or whatever the script we write, everything comes from the deep respect and love for M.S. Amma. We are grateful. I am talking on behalf of the entire team. We are grateful and we really thank God for giving us this opportunity to spend this part of our lives with the story of M.S. Amma," he reassured.

For the unaware, the film is to be produced by Allu Aravind's Geetha Arts in association with Rockline Entertainment and Bunny Vas Works.

A Vijaya Subramanian, authorised signatory of White Nights Entertainments, filed a petition before the court stating that a deed of partnership was executed with director Ajay Gnanamuthu on January 2, 2023, for the production, marketing, and distribution of feature films.

The petitioner stated that the partnership covered the Demonte Colony franchise, including future sequels such as Demonte Colony 3 and Demonte Colony 4. He added that following the commercial success of Demonte Colony 2, both parties mutually settled their accounts and agreed to produce Demonte Colony 3 under the deed.

However, he alleged that Ajay Gnanamuthu joined hands with Passion Studios without his knowledge and conducted a pooja ceremony for the film on July 7, 2025. When confronted, the director reportedly assured him that Passion Studios was involved only for technical and logistical facilitation, and that Subramanian would continue as joint producer with his credits included in title cards and profits shared as per the agreement.

The petitioner further alleged that the director and Passion Studios later applied for CBFC certification without informing him, concealing his name and production house. The film was granted CBFC certification on July 14, 2026. He alleged that the director subsequently refused to include his name or production house in promotional materials and title cards.

Subramanian sought an interim injunction restraining Ajay Gnanamuthu from releasing, exhibiting, or commercially exploiting Demonte Colony 3 in theatres, on OTT platforms, or through any other media pending disposal of arbitral proceedings.

Granting an interim stay on the release of Demonte Colony 3, Justice K Kumaresh Babu also directed director Ajay Gnanamuthu to file his response within four weeks and adjourned the hearing.

The makers announced the update with an intriguing new poster featuring an elaborate stone-like artwork depicting human figures, water, waves and a serpent. The announcement describes Vettuvam as “a world beyond all we’ve known” and “a world unlike any other”, while teasing the video as an introduction to the film’s world.

Directed by Pa Ranjith, Vettuvam stars Arya, V R Dinesh and Sobhita Dhulipala in prominent roles. Dinesh, who reunites with Ranjith after Attakathi, is reportedly playing a martial arts practitioner, while Arya is said to be portraying a gangster. The film also features Kalaiyarasan, Mime Gopi and others.

The project, which was first announced at the Cannes Film Festival in 2022, marks Ranjith’s return to direction after Thangalaan. GV Prakash Kumar is composing the music.

Ranjith is producing the film under Neelam Productions along with S Sai Devanand and S Sai Venkateswaran of Learn and Teach Production.

Daayra is an intense crime thriller that unfolds through two parallel tracks — one tracing the events leading to the encounter and the other following the investigation into it. Meghna Gulzar handles the unconventional narrative structure well, weaving in references to several such crimes that frequently make headlines.

The film also draws from the 2012 Delhi gang-rape case, which led to significant legal and social outcomes. In one striking exchange, Ajooni responds to a colleague who says the system has changed since the Delhi incident. “The system has changed, but not the people,” she says. The dialogue captures the film’s central question: what happens when people lose faith in the judicial process and take the law into their own hands?

What makes Daayra gripping, despite the audience already knowing the incident and its outcome, is Meghna's focus on the people and emotions surrounding it. The director explores the trauma, personal struggles and reactions of those caught in the aftermath, keeping the narrative engaging beyond the central incident. The film also uses moments of sarcastic humour, offering some much-needed relief from its otherwise heavy subject. Importantly, the humour emerges naturally from the characters and their situations, without diluting the film's intensity.

Film: Daayra Director: Meghna Gulzar Cast: Kareena Kapoor and Prithviraj Sukumaran Synopsis: Inspired by true events, Daayra follows DCP Raman Kumar and DCP Ajooni Kohli as a controversial case places them on opposing sides of the same system. Rating: 3.5/5 stars

Kareena and Prithivraj do justice to their respective roles. The characters navigate a range of conflicting emotions and intense chase sequences, with the entire cast delivering convincing performances throughout.

Coming to Amit Trivedi’s music, unlike the loud background scores often associated with crime thrillers, his restrained approach enhances the emotional weight of the story.

What the film fails to explore adequately, however, are the personal lives of its lead characters. Raman Kumar’s family gets very little screen time, leaving the audience with limited insight into his life beyond his profession. Ajooni Kohli, meanwhile, has her own battle as she seeks justice for her father, a judge. This subplot offers some understanding of her commitment to the judicial process, but it is not developed enough to establish her motivations. The jail scene introducing her character also feels out of place.

But, overall, Daayra is an engaging and gritty crime thriller that effectively presents two contrasting approaches to justice through the two cops: Raman Kumar, who believes in delivering justice by eliminating criminals, and Ajooni Kohli, who chooses to pursue it through the judicial system and due process. Despite being led by two major stars, the film keeps Prithviraj and Kareena apart for most of its runtime, with the two sharing the screen only in the climax. Even then, Meghna Gulzar refrains from providing a definitive answer. They walk away in different directions, leaving the audience to decide which approach they agree with. And that brings the film back to its central thought — there is nothing purely black or white when it comes to justice.

Swapna Cinemas, the production house producing the film, took to its social media timelines to make the announcement.

It wrote, "The journey to the stars begins. #AakasamLoOkaTara / #AOTMovie - 20th November 2026 in theatres. Come along… there’s a beautiful world waiting for you. #AOTonNOV20th @dulQuer @pavansadineni @GeethaArts @SwapnaC."

It may be recalled that the makers had marked the birthday of actor Dulquer Salmaan earlier this year by releasing a new poster of the actor from the film and announcing that he played a character called Krishna in the film.

It may be recalled that the makers the film had some months ago introduced Satvika Veeravalli as the lead of the film.

The film, which is being produced by Sandeep Gunnam and Ramya Gunnam under the Light Box Media banner, is being presented by well known production houses Geetha Arts and Swapna Cinema.

Geetha Arts, which is one of the firms presenting the film, had taken to its Instagram page to share the introduction video of the actress. It wrote, "She carries a dream bigger than the sky…. Introducing Satvika Veeravalli - The dreamer who gives wings to #AakasamLoOkaTara #AOTMovie."

The introduction video begins with a child, pointing to the sky and asking "How do I go to space?" Viewers are then given a glimpse of the heroine.The introduction video shows Satvika Veeravalli as a youngster from the rural parts who is dissuaded from pursuing her dream of going to space.

We hear a man's voice saying, "Coming from a village that has no roads, you harbour plans of going to space? First, you show us if you can cross the borders of the village. Then, we'll see."

It is evident that the film will revolve around the character that Satvika Veeravalli plays and that she is actually the protagonist. The film is about a girl from a remote rural region realising her dream of becoming an astronaut and going to space.

The film boasts of a fantastic technical team. It has two-time National Award winner G V Prakash Kumar scoring music for it. Cinematography for the film is by one of the best in business, Sujith Sarang. The film has editing by National Award winning editor K L Praveen.

What awards did the film Tourist Family win?

The film won six awards in the Critics' Choice categories - Best Film, Best Debut Director, Best Actor, Best Actress, Best Male Playback Singer and Best Comedian.

Abishan Jeevinth won Best Debut Director, while Sasikumar and Simran received the Best Actor and Best Actress awards respectively. Yogi Babu won Best Comedian, while Vijay Yesudas won Best Male Playback Singer for the song Iragey.

About the film Tourist Family

Directed by debutant Abishan Jeevinth, Tourist Family stars Sasikumar and Simran and revolves around Sri Lankan Tamil refugees seeking shelter in Tamil Nadu. The film blends comedy, family sentiment and humanity.

Sean Roldan composed the music, Aravind Viswanathan handled cinematography and Bharath Vikraman was the editor. The film stars Sasikumar, Simran, Yogi Babu, Mithun Jai Shankar, Kamalesh, MS Bhaskar and Ramesh Thilak, among others.

Tourist Family was jointly produced by Nazareth Pasilian, Mahesh Raj Pasilian and Yuvaraj Ganesan under Million Dollar Studios and MRP Entertainment.

What award did Dhruv Vikram win?

Dhruv Vikram won the SIIMA Best Actor award for his performance in Bison Kaalamadan, marking the third film of his career to receive the honour.

About the film Bison Kaalamadan

Directed by Mari Selvaraj, the film sees Dhruv portray a kabaddi player from rural Tamil Nadu who overcomes preconceived notions, violence and family obstacles in pursuit of his dream of becoming a renowned kabaddi player. His performance involved changes in appearance, body language and acting style to suit the character.

Anupama Parameswaran, director Ameer, director Lal, Pasupathy and Rajisha Vijayan play key roles in the film.

Bison Kaalamadan was produced by Sameer Nair, Deepak Segal and Aditi Anand of Applause Entertainment, along with Pa Ranjith of Neelam Studios. It was produced by Ranjith and others.

Following the SIIMA recognition, Dhruv Vikram is currently working on his next project, the action film Jacky - No Retakes Allowed, directed by Karan Arvind Kumar and produced by Mythri Movie Makers.

How much did Mandaadi collect in six days?

Mandaadi reportedly earned a net collection of Rs 4.40 crore in India on its sixth day, September 15. Its total net collection in India has reached Rs 58.78 crore.

The film has reportedly collected Rs 10.65 crore overseas, taking its worldwide collection to Rs 69.43 crore.

Directed by Mathimaran Pugazhendhi, Mandaadi follows fishing captain Muthukaali (Soori), who uses his maritime knowledge to lead a six-member team in a traditional boat race along Tamil Nadu’s coast during a festival. The film is produced by Elred Kumar under RS Infotainment

In DT Next's review of Mandaadi, we wrote, "The film works best when it stays close to the sea, its people and its sport. The first half moves at a good pace and keeps the audience curious about what comes next. The boat-training sequences and races are among the strongest portions, with SR Kathir’s cinematography capturing the scale of the sea and the races beautifully."

The film stars Soori, Mahima Nambiar and Suhas, among others. Music is composed by GV Prakash Kumar.

How much did Sardar 2 collect in six days?

Karthi’s Sardar 2, directed by PS Mithran, reportedly collected Rs 54 lakh net in India on its sixth day.

The film has reportedly recorded a total worldwide collection of Rs 20.47 crore.

Sardar 2 follows RAW agent Vijay (Karthi), who uncovers a deadly bioweapon threat and races against time to stop it from being detonated. His mission takes an unexpected turn when he discovers that his father, Sardar (Karthi), presumed dead, is still alive.

DT Next, in its review of Sardar 2, wrote: "The film is more effective when it explores the emotional trauma of a RAW agent following a mission gone wrong... however, several plot points introduced in the first half are rushed through or lack a satisfying payoff."

The film stars Karthi, Malavika Mohanan, SJ Suryah, Yogi Babu and Nizhalgal Ravi, and is produced by Prince Pictures and IVY Entertainment. Music is composed by Sam CS.

Directed by Gowtam Tinnanuri, the pan-India film stars Rashmika Mandanna as MS Subbulakshmi, with Anirudh Ravichander composing the music. The film is jointly produced by Allu Aravind, Rockline Venkatesh and Bunny Vas.

The evening began with Thyagaraja’s Pancharatna Kritis before moving into a celebration that brought together personalities from cinema and the Carnatic music fraternity.

Kamal Haasan as the chief guest along with actor Sivakumar, YG Mahendran, producer Kalaipuli S Thanu, actress Suhasini, Actor Samudhirakani , Writer Madhan Karky ,Sudha Raghunathan and Nithyashree were among those present.

Rashmika Mandanna

For Rashmika, taking on the role appeared to be less about the scale of the film and more about the woman whose life she is stepping into. Speaking at the launch, she said her overriding emotion was gratitude, addressing Subbulakshmi as “Amma” and wishing her on her birthday.

She spoke of the power of the singer’s voice, saying that listening to it made her feel as though she was “in the presence of God”.

She also asked to be considered “a small part” of Amma’s life and promised to give the role her best, seeking the blessings of Subbulakshmi, Sadashivam and her family.

Kamal Haasan at the event

Speaking at the launch, Kamal Haasan reflected on MS Subbulakshmi’s enduring influence through music, describing her as a unifying force, particularly across South India, through her renditions in Sanskrit, Hindi, Telugu, Kannada, Tamil and several other languages.

Recalling his own connection with music and the great artistes of the era, he said, “I have been very near these three great iconic women - MS Amma, DK Pattammal and ML Vasanthakumari. All three of them have touched my head.”

He also spoke of his admiration for Mahatma Gandhi and recalled wanting to use MS Amma’s voice in his film Hey Ram.

Describing MS as “India’s pan-Indian lady superstar”, he pointed to the breadth of her talent, noting that she was not merely an actress but also played the veena and danced, while her renditions of Meera’s songs continue to resonate.

He then recalled the significance of Rangapura Vihara, saying that although it may not have been familiar to many in Tamil Nadu, hearing it gave him a sense of euphoria and made him recognise the connection he felt with MS Subbulakshmi.

Addressing Rashmika Mandanna, who essays MS Subbulakshmi, Kamal acknowledged the weight of stepping into the role of such an iconic artiste.

Referring to Michael Jackson as an example of an artiste whose portrayal would naturally make an actor nervous, he told Rashmika that she must be nervous too, but has a good team to support her.

Kamal also spoke at length about Anirudh and the challenge before the composer.

He said that having created a musical space that audiences have come to expect from him, Anirudh would now have to balance those expectations with the dignity of a film centred on Subbulakshmi.

“Anirudh has a big challenge to satisfy all of you, while protecting the dignity of this film,” he said.

Reflecting on the significance of the venue, Kamal said the emotional connection people have with art is what keeps it alive, calling The Music Academy the “right place to inaugurate” the film.

He concluded by returning to the universality of MS Subbulakshmi’s music: “Music transcends everything. It will transcend everything, everybody and reach the last man in India.

And MS Subbulakshmi has proven that,” adding that the film would make India proud and expressing his happiness at being part of its inauguration.

Produced by Allu Aravind, Rockline Venkatesh and Bunny Vasu

Producers Allu Aravind, Rockline Venkatesh and Bunny Vasu spoke about the journey of bringing MS Subbulakshmi’s life to the screen and the responsibility that comes with telling her story.

Aravind spoke about how MS Amma’s life, particularly her difficult years as a young musician, left a lasting impression on him.

He also highlighted the extensive research undertaken by the team, with director Gowtam travelling to different places and meeting people while developing the film.

Speaking about the music, Aravind said Anirudh Ravichander would serve as a bridge between MS Amma’s music and the younger generation, while clarifying that the film would not attempt to recreate her music but would instead be a biopic intertwined with his musical approach.

The producers also spoke about the inspiration they drew from MS Subbulakshmi’s life.

Rockline Venkatesh said her greatness was built through discipline and patience, describing these as qualities that could offer a message to the next generation.

He added that the team understood the magnitude of her story and that the film was being created with deep respect and love for MS Amma.

Bunny Vasu, meanwhile, acknowledged Allu Arjun’s association with the project while thanking those who supported the film’s journey.

Directed by Gowtam Tinnanuri

Director Gowtam Tinnanuri has been closely involved in researching M S Subbulakshmi’s life for the biopic.

According to the producers, he travelled to several places and met people as part of the research before developing the film.

The team also credited his decision to take up the project despite having another film in the works.

Madhan Karky writes for the film

Writer Madhan Karky spoke about the challenge of translating a life as rich as Subbulakshmi’s into a feature film.

He said that while a successful life can sometimes appear to follow a straightforward path, the story becomes more compelling when the obstacles behind that journey are brought to the fore.

Karky said he had known of M S Subbulakshmi since childhood, but it was only after reading Tinnanuri’s script that he realised the depth of the life she had lived.

Actor Samuthirakani

Samuthirakani who is also part of the film, said he is particularly looking forward to the portions depicting M S Subbulakshmi’s life up to the age of 18.

“The amount of trouble she faced during that period was immense. It is a very tough part, and I am looking forward to seeing how it has been presented,” he said, adding that he was happy to be part of the film.

The event also saw a rendition of Bhagyada Lakshmi Baramma by the Indian Choir Ensemble , with Rashmika, Kamal Haasan and the film’s team joining the stage for the ceremonial clap.

The evening concluded with the musical group performing Maitrim Bhajatha alongside around 30-40 children, bringing the celebration of Subbulakshmi’s music to a close.

The poster features Ajith seated on a red leather chair, dressed in a white suit and holding a pair of dice, The announcement comes ahead of Adhik Ravichandran’s birthday, sharing the poster on social media, Adhik wrote, “My Sir’s Advance Birthday Gift to me. Yes we are rolling the dice from November 2.”

The poster carries the title Dare Devil and credits Adhik as the writer and director, with the tagline “No Retakes Allowed.”

The film marks Ajith and Adhik’s second collaboration after Good Bad Ugly.

It is being produced by Shalini Ajithkumar, under the Bravehearts Production banner, marking her debut as a producer.

Anirudh Ravichander is composing the music, marking his return to an Ajith-starrer after Vidaamuyarchi.

Dare Devil will also mark Ajith’s return to cinema after a year-long break during which he focused on his racing commitments.

The announcement was made by Passion Studios on social media, describing the Nithilan Saminathan directorial as a “historic milestone” for Tamil cinema. The poster shared by the makers carries the line, “The first Tamil film to be made in Hollywood by a big studio.”

Released in 2024, Maharaja marked Vijay Sethupathi’s 50th film as a lead actor. The crime thriller also featured Anurag Kashyap, Mamta Mohandas, Natty, Abhirami and Sachana Namidass.

The story follows a barber who approaches the police over a missing dustbin named Lakshmi, with the seemingly simple complaint eventually opening up a much darker story.

There has been speculation that Hollywood actor Matthew McConaughey could headline the remake. However, it has not been confirmed.

Directed by Nithilan Saminathan, Maharaja was produced by Passion Studios, The Route and Think Studios. The film received a wide international release and later reached a larger audience through streaming.

Further details about the Hollywood adaptation, including its cast and studio, are expected to be announced in the upcoming days.

Vijay Sethupathi shared the video on X, writing, “Experience the power-packed #WorldOfBaththa now. Written & Directed by #BalajiTharaneetharan A @SaiAbhyankkar musical. #BaththaFromOct1.” (sic)

Set in the 1980s, the video introduces Baththa as a feared ruffian. Those close to him are seen waiting for his return, while his daughter says she is scared and wants her father to come back. His brother, however, remains confident that Baththa will return.

A child describes him as someone everyone fears, but who is afraid of nothing. The video also hints at a major crime, with the police questioning people about who they suspect. Baththa is shown as a man who often gets into fights and appears to have a difficult relationship with his wife, played by Lijomol Jose. In one scene, he spits out the food she serves him. When she asks where he had been and says they had been searching for him, he replies, “You shouldn’t search for me. I will be found by myself.”

Baththa is directed by Balaji Tharaneetharan, known for Naduvula Konjam Pakkatha Kaanom, and presented by director Atlee. The film has music by Sai Abhyankkar and cinematography by Selvakumar SK. R. Kalaivanan is the editor, while T Muthuraj is the production designer. Baththa is scheduled for a worldwide theatrical release on October 1.

The romantic family drama weaves together three stories, exploring different stages of relationships, with Guru Somasundaram, Vijay Vishwa and Archana also in pivotal roles.

For director Saraj Seelan, Paris Cafe began with a visual. His interest in sketching and illustration helped him develop the screenplay and visualise his characters. “When I wrote the script, I had a clear visualisation of how each character would look and how they would appear realistically on screen,” he says. Making his directorial debut, Saraj wanted the film to carry a meaningful message. “Cinema is not just an art form but also a powerful medium to communicate with a large audience. I wanted to convey something meaningful through my film. I had several stories in mind, but I chose Paris Cafe as my debut because it carried a strong, relevant and important message,” he explains.

Anumol, who plays Tara, says she connected with the character because of their similarities, particularly Tara’s willingness to speak up about what she believes is right or wrong. “I am someone who is vocal about what I believe is right or wrong and won’t hesitate to express my opinion. Tara also does that,” she says. “She stands up for her husband and supports her family, but she also points out their mistakes. The character has several layers, and that was what attracted me to Tara,” she adds. Her relationship with her husband, played by Guru Somasundaram, explores mature love, which Anumol found particularly interesting to portray.

Nayana Sai, who began her career as a model, describes the transition as an exciting journey. “As a model, you have to maintain a composed expression and cannot emote as much. Acting has so many layers, emotions and characters, and I have always been fascinated by cinema since I was a child,” she says.

In Paris Cafe, Nayana is paired opposite Sai Vicky, with their relationship exploring the nuances of young love. “We don’t often talk about mature love, but both young and mature love are beautiful in their own ways, and that's what makes the story more interesting,” she says.

Sai Vicky, who plays one of the leads in Paris Cafe, said the film offered him a new experience. “This is my first film in a lead role. I explored a different side of my acting,” he shares. Careful not to reveal too much about the story, he urged audiences to experience the film on the big screen, a response that had everyone in the room laughing. Looking ahead, Vicky says he hopes to take on characters that drive the narrative forward. “I want to play strong characters that drive the story forward,” he adds.

The director also spoke about the casting process, explaining that each actor was selected based on the requirements of their respective characters. Guru Somasundaram was chosen for his versatility, while Anumol came on board after Saraj came across her work and felt she was well suited to play Tara. Nayana Sai and Sai Vicky were selected for the freshness they brought to their characters.

Anumol also spoke about the film’s costumes, which allowed her to portray a contemporary woman. “This was a rare opportunity for me to wear comfortable, modern clothes. In many of my films, I have been given traditional costumes, so this was a very comfortable and different experience,” she tells us with a smile. She also dubbed her portions in Tamil, describing the process as challenging but rewarding.

With romance, family relationships, emotional conflicts and a social message at its core, the team believes Paris Cafe will leave audiences with plenty to reflect on. Nayana said the film balances a light-hearted love story with deeper emotions, while Saraj believes its relatability will help audiences connect with the characters and their experiences.

Amritha Ram, design head of KH House of Khadar, received the award in New York.

Sutura, which means 'thread' in Latin, was presented at the New York Fashion Week in 2024. The collection combines Khadi and Indian textile traditions with contemporary design, the fashion house said, adding that Sutura reflects its founding philosophy of positioning Khadi as a contemporary material in global fashion.

KH House of Khadar debuted in Chicago in 2021 with an official tagline Kamal created: 'Fashion is civil, yet disobedient.' He launched the Indian website and online store on Republic Day the following year. The clothes can be bought on KHHK's website: https://kh-hk.com/

Earlier this year, Kamal had extended his gratitude to the American band Linkin Park after the band was seen wearing his brand during their Lollapalooza India performance in Mumbai.

Meanwhile, on the work front, the actor and Rajya Sabha MP will be next seen in KH 237 directed by stunt choreographer duo AnbAriv. He is also expected to reunite with Rajinikanth for KH xRK, directed by Nelson Dilipkumar and produced by Red Giant Movies. Additionally, he is also set to collaborate with Chithha-fame director SU Arun Kumar on an upcoming project. '

With a filmography of more than 250 films in five decades, the 78-year-old is also a renowned name in the theatre world. He will be given the award, the highest recognition in Indian cinema, at the National Film Awards ceremony in Kevadia, Gujarat, on September 22.

Prime Minister Narendra Modi congratulated the veteran actor and said, "For several decades, his effortless performances, remarkable versatility and brilliance have left a very strong mark on Indian cinema, particularly Kannada cinema. In whichever role he has played, he brought rare depth and authenticity."

"This is indeed a richly deserved honour for a truly distinguished artist," he said in a post on X.

"On the recommendation of the Dadasaheb Phalke Award Selection Committee, the Government of India is pleased to announce that the Actor will be conferred the prestigious Dadasaheb Phalke Award 2024 for his contribution to Indian cinema and an illustrious cinematic journey that has inspired generations," the Press Information Bureau said in a release.

The film opens in the 1970s, introducing a librarian who gets his hands on The Dark Heaven, a book written by a French researcher specialising in supernatural forces. As he reads the book, he discovers details of events that are yet to happen. His attempts to warn people about the impending incidents ultimately lead to him becoming a victim himself, just as predicted in the book.

From here, the narrative moves between different timelines, taking us from the 1970s to the present and then back nearly two decades. Each time, the mysterious book finds its way into the hands of another person, triggering another series of unfortunate events.

Set in the same village, the story then introduces a strange pattern of deaths occurring every seven years. The villagers believe these incidents are connected to the curse of Vanamangai. Balaaji uses graphic animation to narrate the story of Vanamangai and Dasarathan — a sequence neatly executed without holding up the narrative, and one that establishes the mythology behind it all.

As the story progresses, the villagers begin to believe that the descendants of Dasarathan are still being affected by the curse. Meanwhile, a spell of murders points to an investigation towards a psychopathic killer who has crossed over from Kerala. How he is identified, and how the threads of the book, the curse and the murders connect, forms the rest of the film.

The biggest strength of The Dark Heaven is the way Balaaji maintains an intriguing atmosphere throughout. The film manages to sustain its suspense until the climax, even without having any big stars. Several familiar actors, including Nizhalgal Ravi and Vela Ramamoorthy, appear in brief roles and fit naturally into the world of the film.

Siddhu, playing the police officer investigating the murders, carries a challenging role with ease. Riythvika gets an important character that is somewhat different from her earlier roles, while Bigg Boss-fame Tharshika, who is Siddhu’s pair, also gets a significant part to play.

Film: The Dark Heaven Director: S Balaaji Cast: Sidhu Sid, Tharsika Navaratnaraja, Riythvika, Nizhalgal Ravi, Vela Ramamoorthy, Rating: 3.5/5 stars

The cinematography is another notable aspect. The village locations, rituals and surrounding atmosphere are captured effectively, with the film making good use of both day and night sequences. The music and sound design aid the thriller portions by creating and enhancing the tension well.

However, the film does lose some of its grip during a few action sequences. These portions feel weaker compared to the otherwise carefully constructed thriller and, at places, appear unnecessary. There are also a few unanswered questions and unexplained plot points. But as the film has hints of a potential sequel, these loose ends could get connected in the next part.

On the whole, The Dark Heaven works as a suspense thriller that both manages to give scares and keep the audience invested in its mystery.

The Dark Heaven

Director: S Balaaji

Cast: Sidhu Sid, Tharsika Navaratnaraja, Riythvika, Nizhalgal Ravi, Vela Ramamoorthy,

Synopsis: In the hill village of Mekkarai, where it is customary for men to die every seven years during the month of June, a newly appointed police inspector arrives to investigate a series of mysterious murders.

Rating: 3.5/5 stars

Suriya-Jyotika celebrate 20 years of marriage

Suriya and Jyotika tied the knot on September 11, 2006, in Chennai. The couple, who last shared the screen in Sillunu Oru Kadhal, have two children, daughter Diya, born in 2007, and son Dev, born in 2010.

The couple recently relocated their family from Chennai to Mumbai. Suriya has said the move was partly to allow Jyotika to spend more time with her ageing parents and also to provide their children with more options for the International Baccalaureate curriculum.

Titled The Sequel, the vow-renewal video celebrates their two decades together, including their love, disagreements, compromises and understanding. Their children, Diya and Dev, were also present at the intimate ceremony.

In her note accompanying the video, Jyotika said the celebration was not about a perfect marriage but about their imperfections, sacrifices, mutual understanding and the way they have loved each other selflessly.

Jyotika shares heartfelt wedding vows

In her renewed vows, Jyotika promised to remain happy, celebrate life, stay grateful, remain healthy and be a better mother. She also spoke about maintaining the friendship she shares with Suriya.

Addressing Suriya, she said she would continue to be an imperfect wife who fights with him, makes peace and grows closer to him each time.

She also expressed gratitude for their children and described Suriya as her husband, the father of their children, her confidant and her best friend.

Suriya, Jyotika's 2026 projects

Suriya has had two releases in 2026 so far — Karuppu, directed by RJ Balaji and co-starring Trisha Krishnan, and Vishwanath & Sons, directed by Venky Atluri. Karuppu released in May, while Vishwanath & Sons hit theatres in August.

His next release is Scene, his 47th film, directed by Jithu Madhavan. The cop action drama is scheduled to hit theatres on November 6, 2026.

Jyotika, meanwhile, starred in the Hindi courtroom drama System, which premiered on Prime Video in May. She is also part of an upcoming action thriller with Sunny Deol, directed by Balaji Ganesh, which began shooting in February.

Concluding her note, Jyotika wished for the couple’s next 20 years together, celebrating their imperfections, friendship and shared understanding.

Quoting a tweet put out by a person who claimed that his film's title was 'Padaiyal', Tamizharasan Pachamuthu wrote, "PADAIYAL - nalla irukke...nan yen yosikkaama ponen.. Sari ok Pesama “ A Tamizharasan Pachamuthu Padaiyal “ nu pottudren.. Nandri. (Padaiyal - sounds nice... now, why did I not think of it?... Okay, I'll simply put it as 'A Tamizharasan Pachamuthu Padaiyal... Thanks)."

Rumours are doing the rounds on the Internet that the film's launch ceremony would happen in Madurai on Thursday. Rumours also suggest that the film will be high on action so much so that its makers were expecting to get an 'A' certificate from the Censor Board at the time of its release. However, there has been no official confirmation on any of these claims being made on social media.

Director Tamizharasan Pachamuthu had in March this year announced that he had begun the recce for the film.

Taking to his X timeline, the director had posted a monochrome picture of himself seated in a temple. He wrote in Tamil," Kelambiyaachu (Have started) #Recce #D56."

Well known production house Dawn Pictures, which is producing the film, was quick to show its admiration for the industrious nature of the director. It quoted the tweet of the director and added fire symbols to indicate it was both impressed and excited.

For the unaware, director Tamizharasan Pachamuthu is best known for his critically acclaimed superhit film 'Lubber Pandhu', which featured Harish Kalyan, Attakathi Dinesh, Swaswika and Sanjana Krishnamoorthy in the lead.

The film, which came in for widespread praise from all categories of audiences, also featured actors Kaali Venkat, Bala Saravanan, Geetha Kailasam, Deva Dharshini, Jenson Divakar and TSK in pivotal roles.

The film, which started off as just a simple sports drama that revolved around the egos of two cricket lovers playing gully cricket in a small town, silently evolved into something much more significant and showed how sport could help people overcome the deep-rooted differences that caste and wealth brought.

Taking to his X timeline to release the teaser, Vijay Sethupathi wrote, "Here is the official teaser of #Mandavetti." The teaser, which plunges audiences into a disturbing world where fear arrives without warning and the line between the known and the supernatural begins to disappear, is two minutes long.

The teaser wastes no time in establishing an unsettling environment, opening with a woman in a trance-like state whose presence immediately creates an inexplicable sense of dread.

From there, the teaser unfolds through a series of mysterious happenings, fragmented conversations and unsettling glimpses of characters attempting to make sense of something far beyond their understanding.

At the centre of these conversations is ‘Senji Saamy’, an enigmatic force whose presence appears to be closely connected to the strange events unfolding around them. Rather than revealing the answers, the teaser carefully leaves the mystery intact, creating the feeling that every revelation could lead to something far more disturbing.

With Komalee Prasad leading the film, the teaser also offers glimpses of the intense transformation that the actress has undergone for a character steeped in vulnerability, rage, suffering and mysticism.

Her presence gives the supernatural world an emotional centre, while the teaser’s fragmented storytelling leaves audiences with one compelling question: What exactly is ‘Senji Saamy’, and why has its presence begun to haunt this world?

Written, directed and produced by Saranraj Senthilkumar under the banner of Tuskers Den Pictures, Mandavetti, sources inform, has been conceived as a dark supernatural crime thriller blending psychological tension, folklore and raw human emotions. The film explores the mysterious mythology surrounding “Senji,” a fierce local deity, whose presence drives the story into deeply unsettling and emotionally charged territory.

The film features Prakash Manithan as the cinematographer, Guna Palinisamy as the editor and Deepak Venugopalas the music director. Gowtham has choreographed the stunts, while Sangeetha Sen is the costume designer. Tony J is handling sound mixing, Balaganghadaran is overseeing DI grading, Vijayan is responsible for VFX.

The clarification comes after his recent blog posts led to speculation that he may be considering stepping away from his professional commitments.

Taking to his personal blog on Monday night, Bachchan addressed the reports and clarified his earlier remark. Writing in Hindi which translates in English, said, “No, sir, I am not retiring from work; in English, it means I am now going to sleep!!! And, sir, you are not invited to come there.”

The clarification came after the veteran actor's previous blog entry was interpreted by some as a hint that he could be contemplating retirement.

In that particular post, Amitabh Bachchan had written about how some of his blog entries are often misunderstood and expressed amusement at the way his words are interpreted and reported. He ended the post with the words “and I retire,” which subsequently triggered speculation about whether he was referring to his career.

In his latest post, he clarified that “retire” was being used in the context of going to bed and not stepping away from acting or his professional commitments.

For the uninitiated, the 83-year-old actor continues to maintain a packed work schedule.

Big B is currently hosting the 18th season of Kaun Banega Crorepati, with which he has been associated for more than two decades.

Recently, through his blogs, he had offered a glimpse into just how demanding his schedule was getting.

He had revealed that he had worked continuously from 7 a.m. one day until 7 a.m. the following morning, and explained that the work had to be completed on time because the first broadcast date for KBC had already been announced.

A fan asked Shah Rukh, “Be honest, what’s the most KING-like thing you do in real life?” Responding with his usual wit, the actor said, “Have three cups of coffee in bed before anybody can speak with me even if I am late for work!! Then of course on sets get shouted at for being late and have no Kingly feelings left.”

Shah Rukh Khan shares marriage advice

The actor also offered advice to a newly married fan who asked him about the green flag for maintaining a happy married life. Shah Rukh replied, “Ek doosre ke rang mein rang jao....make adjustments so both of you make the partner happier.”

SRK gives a glimpse of Ganpati celebrations

During the interaction, Shah Rukh also spoke about how his family celebrates Ganpati. He shared that his wife performs the aarti and prayers, followed by the visarjan. He added that their children and friends gather together to spend time as a family.

“Very simple and family time,” the actor said, describing the celebrations.

King release date confirmed

Shah Rukh Khan also gave an update on his upcoming film King, confirming that the film will release on December 24, 2026. When a fan asked him to show the trailer, the actor replied, “Abhi sirf baat karunga Trailer baad mein.... film is 100 days away na...24th Dec bro.”

Directed by Siddharth Anand, King stars Shah Rukh Khan alongside Deepika Padukone, Suhana Khan, Abhishek Bachchan, Jaideep Ahlawat, Abhay Verma and Arshad Warsi in key roles. The film is produced by Red Chillies Entertainment and Marflix Pictures.

King marks Shah Rukh’s return to the big screen after his 2023 releases Pathaan, Jawan and Dunki. The actor’s confirmation comes amid anticipation surrounding the film’s release, which is scheduled for a week after Marvel’s Avengers Doomsday.

Subbulakshmi's music continues to be heard across homes, temples and concert halls, and the biopic is intended to present her life and legacy to audiences across generations, the makers said.

The biopic will be offically launched at The Music Academy, Chennai, on Subbulakshmi’s 110th birth anniversary tomorrow (September 16). Actor-producer and Rajya Sabha MP Kamal Haasan will attend the launch as the chief guest. The Indian Choral Ensemble will perform the late singer's at the event.

Anirudh Ravichander will compose the music for the film, which will be directed by Gowtam Tinnanuri of Jersey (2019) and Kingdom (2025) fame.

The Subbulakshmi biopic will be jointly produced by Allu Aravind's Geetha Arts, Rockline Venkatesh's Rockline Entertainment, and Bunny Vasu's Bunny Vas Works.

The makers said the film project has involved years of work to secure the necessary rights, permissions, literary sources and family associations required to tell Subbulakshmi's story.

Rashmika, who was last seen in Cocktail 2 with Shahid Kapoor and Kriti Sanon, is set to act against her husband Vijay Deverakonda in the period drama Ranabaali, releasing on October 16. She also has Ravindra Pulle's Mysaa lined up, in which she plays a Gond woman.

Who was MS Subbulakshmi?

Legendary Carnatic vocalist MS Subbulakshmi had a career spanning more than seven decades. Born in an Isai Vellar family in Madurai on September 16, 1916, she recorded her first song, Maragatha Vadivu, at the age of 10.

She performed concerts, recorded albums and sang playback in several languages, including Tamil, Sanskrit, Urdu, Hindi, Telugu, Gujarati and Bengali. She also helped take Carnatic music to international audiences, even performing at the United Nations General Assembly in New York in 1966.

Subbulakshmi acted in six films between 1938 and 1947 and is best known for her portrayal of saint-poet Meera Bai in Meera (1945). At the Delhi premiere of the Hindi version in 1947, poet-freedom fighter Sarojini Naidu reportedly relinquished her own title, 'Nightingale of India', in Subbulakshmi’s honour.

She later withdrew from cinema to focus on music. In 1998, she became the first musician to receive the Bharat Ratna, India’s highest civilian honour. Affectionately known as MS Amma, she died in Chennai on December 11, 2004. Her rendition of the Sri Venkateswara Suprabhatham morning hymn composed around 1430 AD by Prativadibhayanakara Sri Anantacharya, still echoes across millions of homes every dawn.

The makers chose to release Ramya Krishnan's first look poster from the film on a day the actress celebrated her birthday.

Taking to his social media timelines to share Ramya Krishnan's first look poster in the film, actor Manchu Manoj wrote, "One look. The entire frame belongs to her. Happy Birthday to the phenomenal @meramyakrishnan garu! Your presence, your fire, your command over a scene… an absolute privilege to share the screen with you!"

He went on to add, "Celebrating you today by introducing our ferocious KAMALA REDDY to the world, from the world of David Reddy. Just wait till you see her in action. #DavidReddy #KamalaReddy #HBDRamyaKrishnan #RamyaKrishnan #ManojManchu."

For the unaware, the makers of the film have already disclosed that Ukrainian model and actress Maria Riabhoshapka plays a character called Clara Whitmore in the film.

Director Hanuma Reddy, while welcoming Maria Riabhoshapka on board the film earlier this year, had shared her poster on his Instagram page and said, "Her love isn’t soft… it’s ruthless. Welcome to the Brutal Era."

Actor Manchu Manoj, who plays the lead in the film, too had accorded a warm welcome to Maria Riabhoshapka.

Taking to his Instagram page to pen a welcome post, he had said, "The intense world of #DavidReddy welcomes its leading lady - Maria Riabhoshapka on board as Clara Whitmore. Her love is War. Excited to see her bring this character to life with grace, depth, and fire. A grand Pan Indian historical action drama where valor meets destiny, and every character carries the weight of epic storytelling. @maria_riaboshapka #DavidReddy #MariaRyaboshapka."

It may be recalled that Manchu Manoj had announced the title of this film as 'David Reddy' in August last year on the occasion of completing 21 years in the film industry. The actor had disclosed that this film would be a historical action drama.

Taking to his social media timelines to pen a lengthy post to express gratitude to all those who had supported him and enabled him to reach the milestone in his film career, Manchu Manoj had said, "With a heart full of gratitude… Today marks 21 years of my journey in cinema. I feel truly blessed to be still doing what I love. And with the same love and hope, sharing my 21st film titled #DavidReddy."

"A raw, intense, high-octane historical action drama set between 1897 to 1922, brought to life by the visionary Hanuma Reddy Yakkanti garu, and supported by Velvet Soul Motion Pictures. Thank you for standing by me all these years. Humbled and excited for what’s ahead. #MM21 #MM," he had said then.

Manchu Manoj also shared a poster along with the announcement. The poster had the caption, "Born in the Madras Presidency, Raised in Delhi. Now, shaking the British empire. Rebellion begins...". The caption gave the impression that the story of the film would revolve around India's struggle for freedom.

Speaking during the film’s promotions in Mumbai, Meghna was asked whether working on Daayra made her reflect on how differently the law can work in different situations. “It happens every day in life. The law can be interpreted and manipulated and twisted and adhered to. And people do all of it all the time. And that is actually what is the fulcrum of Daayra,” she said.

The film is billed as a socially grounded crime thriller and features Kareena in a complex, morally conflicted role that explores justice, power and systemic grey zones.

“Someone can completely toe the line of the law and stay within its boundaries. And you can also completely manipulate the loopholes in the law and yet stay within its boundaries. Both are possible,” Meghna added. Produced by Vineet Jain under the Junglee Pictures banner, Daayra is scheduled to release in theatres on September 18.