Directed by Girish AD, the film was released on August 21 during the Onam festival. Bethlehem Kudumba Unit features Nivin Pauly in the lead, with Mamita Baiju as the female lead. Suresh Krishna, Srinda, Vinay Forrt, and Sangeeth Prathap, among others play important roles.

Bhavana Studios has produced the film, with Fahadh Faasil, Dileesh Pothan and Syam Pushkaran backing the project. Vishnu Vijay has composed the music.

The film was released in Tamil and Telugu on September 4.

According to the film’s opening credits, JioHotstar has secured the streaming rights. However, the OTT release date has not yet been announced by the makers.

How much has ‘Bethlehem Kudumba Unit’ collected?

According to reports, Bethlehem Kudumba Unit has earned over Rs 130 crore in Kerala alone and around Rs 30 crore from its Tamil and Telugu versions.

The film has reportedly surpassed the box-office collections of Mohanlal’s L2: Empuraan (2025) and Thudarum (2025) to become the highest-grossing Malayalam film. It has also overtaken Lokah Chapter 1: Chandra (2025) and Vaazha II: Biopic of a Billion Bros (2025), which previously held the record for the highest-grossing films in Kerala.

What is ‘Bethlehem Kudumba Unit’ about?

The film follows Ashley (Mamita Baiju), whose homecoming from abroad takes an emotional turn when a wedding next door stirs memories of her first love, Justin (Nivin Pauly).

In our review of the film, we said, “BKU is at its best when it observes people and relationships, but its ensemble of characters and elements keeps interrupting its love story, with the film sometimes feeling too invested in the ensemble at the expense of the central romance.”

The review also noted that the film explores a familiar Kerala social landscape, with Ashley’s family restricting her agency through religion and emotional blackmail, while her eventual migration is also rooted in this social reality. “Flaws notwithstanding, BKU is going to remain in our collective comfort-watch list (up there with OSO, Premalu, Super Sharanya, Thanneer Mathan Dinangal and their ilk),” the review said.

Girish AD is known for directing the hit Premalu (2024), as well as Thanneer Mathan Dinangal (2019), Super Sharanya (2022) and I Am Kathalan (2024). He had initially been working on the second part of Premalu, but the project was reportedly put on hold as he was not fully satisfied with the story.

The trailer establishes Gaana music as an important part of the film’s identity, exploring how the genre finds its place across generations. “Music is an emotion. How can it be controlled?” asks one of the dialogues, setting the tone for a story that appears to explore the freedom and emotional power of music.

Moving between the past and present, the trailer also establishes Meesaya Murukku 2 as a story of love. It offers glimpses of the three female leads Ketika Sharma, Chaithra J Achar and Ramya Ranganathan.

Alongside its musical and romantic elements, the trailer packs in action, humour and drama. The film also states that its story is based on several true stories.

Hiphop Tamizha, who has directed the film, also serves as its music director and lyricist. The cast includes Hiphop Tamizha, Ketika Sharma, Chaithra J Achar, Ramya Ranganathan, Baba Baskar, Harshath Khan, Nassar and Karunas.

Produced by Khushbu Sundar and ACS Arun Kumar under Avni Movies and Benzz Media Pvt Ltd. Meesaya Murukku 2 is set to hit the screens on September 25.

Taking to her Instagram page to pen the post of gratitude in the wake of the appreciation that was coming in for her performance, actress Mahima wrote, "An experience that I know I will carry with me forever. #mandaadi. Right from the first day of the look test to the very last day when we wrapped the patchwork, every single day felt different. Angel Rakkamma is truly special."

She went on to say, "I still remember calling my people and breaking down after doing certain scenes. The emotional baggage that this character carried felt too heavy on some days, yet somehow, I enjoyed every bit of it."

"Months spent in the same place, in the same house, surrounded by the same people… and after a point, Thondi felt like home, and the people there felt like family. I will always be grateful to @mathimaaran for trusting me with Angel, and for sitting down with me, scene after scene, and patiently working through every emotion," Mahima said even as she thanked actor Soori and producer Elred Kumar for their support.

"A heartfelt thank you to @soorimuthuchamy sir & @elredkumar sir for always being so supportive," the actress said and added, "Thank you to my entire team @pinkyvisal @sapnas_makeover @jeenachandran @jishnugovind1 and to each and every person who gave this film their 200%. Your love, effort and belief made this journey what it was."

Mahima Nambiar concluded her post thanking audiences. She wrote, "And most importantly, thank you to the audience for all the love, appreciation and warmth you are showering on us. Means a lot !!! Muchhhh love. #mandaadi."

The short teaser shows a set of creative montages featuring the romance between Aegan and Sridevi’s characters. Towards the end, Femina George’s character enters a lift with the lead pair inside, wearing a quizzical expression and leaving us waiting to see how the story unfolds.

Haiku marks Kana Kaanum Kaalangal fame Aegan’s third collaboration with Vision Cinema House and the banner’s third film. The production house previously backed Joe (2023), a romantic drama starring Rio Raj, Malavika Manoj and Aegan, and Kozhipannai Chelladurai (2024), a rural drama directed by Seenu Ramasamy and starring Yogi Babu and Aegan.

Sri Devi of Telugu film Court – State vs A Nobody (2025) fame plays his romantic interest. Femina George is well known for her roles in Malayalam films like Minnal Murali (2021) and Sesham Mike-il Fathima (2023).

Technical crew of Haiku

Haiku is produced by Dr D Arulanandhu and Mathewo Arulanandhu under the banner of Vision Cinema House. Hari Haran Ram has contributed additional screenplay.

On the technical front, Priyesh Guruswamy is the cinematographer, while Sakthi Pranesh handles the editing. Siddhu Kumar has composed the music and Prem is the art director.

Haiku is slated for a worldwide theatrical release on October 23, 2026. It has secured post-theatrical digital streaming rights with Netflix even before the completion of its shooting.

Responding to a question posed by a fan on why he had chosen Nivin Pauly to play a pivotal role in the film, Ram said, "Nivin Pauly was the first hero who spoke to me after I'd made my film 'Peranbu'. After watching 'Peranbu', he told me that he wanted us to do a film together."

The director went on to add, "Nivin Pauly had a beard at that time and he looked like Jesus. He had grown his beard for something else and said he was going to cut it. I told him, 'Don't cut it. Let's make this movie and then you can cut it'. So, I did not ask him to grow a beard for my film. I only made use of his grown beard that was already there."

A release date teaser that the makers had released recently has only added to the excitement of fans and film buffs.

The teaser released shows Nivin Pauly (an immortal man) feeding a biscuit to a mother rat in a train. Soori, who is presented as a "good man", is seen lamenting that the biscuits he had bought in Dubai for his son were being fed to a rat.

Nivin Pauly then sets the mother rat down which then makes its way to Soori, who makes no effort to give way to the rat to pass. Eventually, he does give way when Nivin Pauly signals him to.

The teaser then shows Nivin Pauly and Anjali dressed as those in an ancient civilisation. An elephant greets them and makes its way into the jungle as director Ram's voice is heard saying, "Be it a rat or an elephant, be it a tree or grass, everything is life. They are the souls of our ancestors. With their embrace, we arrive on October 1."

A title motion poster that the makers released in 2022 had a tagline that said, "When you fall in love, not just your heart, everything including your body and soul will fly."

For the unaware, one of Tamil cinema's most respected directors, Ram, started work on this film in Rameshwaram's Dhanushkodi in 2021 and completed shooting in April 2022. From then, the film has been awaiting a release date.

The film has visuals by cinematographer Ekhambharam and music by Yuvan Shankar Raja.

Speaking about her role in 'Enna Vilai', Shashaa Shivakumar said, “Manimegalai is a very special character for me as this is the first time I have played a rural girl. I prepared myself for the character even before going to the sets, which helped me understand and approach the role better. It was a completely different experience for me, and I am very happy to have gotten an opportunity like this through 'Enna Vilai'.”

Sharing details of her experience working alongside actors Karunaas and Nimisha Sajayan, who play the lead in the film, the young actress said, “Karunaas sir is a wonderful actor, and Nimisha is extremely talented and hardworking. When you perform alongside actors like them, you automatically turn responsible."

"Director Sajeev sir was always very patient and respectful with everyone on the sets, which made the experience very special. This was also my first time working with a Malayalam team, so it was a very different and enriching experience for me,” she added.

Set against a socially relevant backdrop, 'Enna Vilai' revolves around a man who retrieves coins offered by devotees into the sea near Rameswaram, with his struggle for dignity and survival eventually leading to a significant legal battle.

The film features Karunaas, Nimisha Sajayan, Saasha, Vijayalakshmi Ahathian, Chiththa Darshan, Poornima Bhagyaraj, YG Mahendran, Motta Rajendran, Nizhalgal Ravi, Praveena, Mohan Ram, Chetan Kumar, Kavithalaya Krishnan, Kamalesh, Goli Soda Pandi, JS Kavi, Swaminathan, Deepa Shankar and Kavi Nakkalites among others. Written and directed by Sajeev Pazhoor, Enna Vilai has been produced by Githesh V under the banner of Kalamaya Films. On the technical front, the film has music by Sam CS, cinematography by Alby Antony and editing by Sreejith Sarang. The film is slated to hit screens worldwide on September 17 this year.

Raaj Kamal Films Interational, the production house of actor Kamal Haasan which is producing the film, took to its social media timelines to put out a video clip announcing the completion of the film's second schedule. It wrote, "வீரத்தின் வெற்றிப் பயணத்தில் இரண்டாம் கட்டம் நிறைவு #சேயோன் (The second stage of courage's victorious journey has now been completed #Seyon) #VetrivelVeeravel #Varendi #KamalHaasan #Sivakarthikeyan."

It may be recalled that Sivakarthikeyan had taken a short break in Ooty ahead of the gruelling second schedule in Madurai. The actor had a few days ago posted pictures of himself seated alone on a jeep and enjoying the serenity offered by the mist-surrounded mountains in Ooty.

Posting the pictures on Instagram, he had said, "A pause. A breeze. A little peace." For the unaware, the makers of the film had on June 10 this year announced that the unit had wrapped up the first schedule of shooting. Raaj Kamal Films International, the production house producing the film, had taken to its social media timelines to announce the completion of the first schedule. It wrote, "From passion to progress #Seyon First Schedule Wrapped. #சேயோன் #VetrivelVeeravel #Varendi."

The film officially went on floors in Madurai with a grand pooja ceremony that was graced by several celebrities including actor Kamal Haasan on May 18 this year. Produced by Kamal Haasan's RaajKamal Films International and Turmeric Media, the film features actress Baghyashrii Borse as the female lead. Interestingly, this will be Baghyashrii Borse's first direct Tamil film.

A day before the official launch of the film, director Sivakumar Murugesan had taken to his X timeline to share a video clip showing him and the core crew of the film meeting Kamal Haasan at his office and signing the agreement. The director, sharing the video clip, had said, "Tomorrow, #SEYON Begins Its Journey." Sivakumar Murugesan, in the video clip, was heard saying, "I have longed and wondered if whether I could get an autograph of Kamal sir. But today, Kamal sir has given me an autographed 80-page agreement."

The film has triggered huge interest in fans and film buffs ever since the makers released a glimpse video from the film called "The Celebration" earlier this year. The Celebration video showcases an incident that happens on the second day of the Maasi Kalari festival that is held at the Karumaathur Virumaandi Temple.

The incident in question is shown taking place two hours after a major scuffle at the festival. A group of people gather at the local police station, even as the constable explains the situation to the inspector. He informs that a major fight had broken out at the festival even as the inspector begins inspecting those who have gathered at the station. He finds a group of young men with half tonsured heads and asks them what happened. The constable explains that the young men with half tonsured heads behaved in an indecent manner by flashing laser lights at dancers at the festival and making reels out of it. "Therefore, somebody bashed them up and tonsured half their heads," he explains.

The inspector then asks another man from another group as to why he was beaten. He says he was asked what play they were to stage at the festival and he had informed them that he was to stage the devotional "Valli Thirumanam (Valli's wedding to Lord Murugan)" and therefore, he too was bashed up. The reply makes those locked up in prison wonder if the person who bashed up the theatre artiste was an atheist. But then another man clarifies, "He is not an atheist. In fact, he is the one who gets possessed by the divine spirit of Virumaandi."

The cops realise that everybody from the neighbouring villages are there save one and that is the people of Karumathur, who are carrying out the procession. The others try to stop the procession but according to custom, the procession must not be stopped. The procession proceeds and the inspector happens to see Sivakarthikeyan in a possessed state and prays to him... The celebration video gives the impression that the story will be set in Madurai.

The makers also disclosed that the film would release in October this year. The film, which will feature Sakarthikeyan in a power-packed and dynamic new role, will be a grand rural commercial entertainer. The film marks a significant reunion between Sivakarthikeyan and Raaj Kamal Films International.

Their collaboration for this film comes on the heels of the blockbuster success of their earlier film 'Amaran', which garnered both critical acclaim and commercial triumph. Produced by Kamal Haasan and R Mahendran, the film brings together powerful storytelling and a co+mpelling cinematic vision. Adding to the excitement, this project will mark the first-ever collaboration between RaajKamal Films International, Sivakarthikeyan, and acclaimed composer Santhosh Narayanan.

The film has cinematography by Vivek Vijayakumar and editing by San Lokesh. Art direction for the film is by RK Nagu while Keerthy Sampath and Joshua Maxwell are its costume designers.

Directed by Abhishek Pathak, the film continues from where Drishyam 2 left off but features a fresh story and an entirely new screenplay.

The trailer, unveiled in Goa, promises another intense battle of wits as Vijay Salgaonkar, played by Ajay Devgn, faces a renewed challenge from the State.

Jaideep Ahlawat joins the franchise as SP Crime Branch Rajveer Singh Tomar, who takes charge of the case and is determined to uncover the truth.

New battle ahead

The Salgaonkar family has managed to keep the truth buried, with Vijay consistently staying ahead of the authorities.

However, Rajveer Singh Tomar's arrival threatens to change the equation. Prakash Raj further raises the stakes, while Tabu, Shriya Saran and Rajat Kapoor reprise their roles.

The trailer hints at old secrets resurfacing, unanswered questions coming back into focus and new forces entering the game, setting the stage for an intense showdown between Vijay and the authorities.

The trailer launch was held in Goa, where the makers recreated the world of the franchise by taking media and influencers through locations associated with the films before unveiling the trailer in Panaji.

Drishyam The Conclusion stars Ajay Devgn, Tabu, Shriya Saran, Rajat Kapoor, Jaideep Ahlawat and Prakash Raj, along with Kamlesh Sawant, Ishita Dutta and Mrunal Jadhav.

Presented by Star Studio18 and produced by Panorama Studios, the film is directed by Abhishek Pathak, who has also written the screenplay along with Aamil Keeyan Khan and Parveez Shaikh.

The film is produced by Alok Jain, Ajit Andhare, Kumar Mangat Pathak and Abhishek Pathak.

Addressing a gathering of international delegates, filmmakers and artists at the concluding ceremony of the first International Film Festival of Jammu and Kashmir (IFFJK) at the SKICC along the banks of Dal Lake on Thursday, Abdullah emphasised that the region has far more to offer the film world than its postcard-perfect terrain.

Union Minister of State for Information and Broadcasting, L Murugan, also attended the event.

"For decades, Kashmir travelled to audiences through the cinema screen. This week, in a sense, the screen came back to Kashmir. I hope the floating cinema remains one of the defining memories of the first film festival of J&K," Abdullah said, highlighting special open-air screenings on Dal Lake of classic films like 'Junglee', 'Aarzoo', 'Kashmir Ki Kali', and 'Kabhi Kabhie'.

Referring to Jammu and Kashmir's long relationship with cinema, the CM spoke about the films and the filmmakers who made Kashmir part of the visual memory of generations in India.

"Over the last few evenings, something rather special has happened. Those films and others from that era have returned to Dal Lake. 'Junglee', 'Aarzoo', 'Kashmir Ki Kali', and 'Kabhi Kabhie' have been screened against the very landscape that helped make them memorable," he said.

Abdullah, however, stressed that "nostalgia cannot define our future".

"Our ambition must go beyond being a beautiful filming location. Jammu and Kashmir must increasingly become a place from which stories emerge, talent is discovered, and films are conceived and created," he said.

The four-day festival featured 120 films from more than 30 countries, hosting masterclasses, panel discussions, and collaborative sessions spanning technology, craft, and storytelling.

Asserting that Jammu and Kashmir has far more to offer cinema than landscapes, Abdullah said, "Our stories live in our cities, towns and villages, in our languages, literature, music, craft, history, and everyday life".

"Our landscapes may bring filmmakers here, but our stories, our people, and our professional filmmaking environment can bring them back. We must therefore build a two-way relationship: welcoming filmmakers from India and the world, while creating opportunities for talent from Jammu and Kashmir to find audiences and collaborators beyond these borders," he said.

At the heart of this, he said, must be investment in our young people.

"Their participation in the festival has been especially encouraging. I hope some of these encounters have opened new possibilities," he added.

Abdullah urged the participants to become ambassadors for Jammu and Kashmir.

"You came as our guests; I hope you leave as friends of Jammu and Kashmir and partners in what we are trying to build," he said.

The CM said the festival's long-term success would not be judged by the stars in attendance, or the titles screened this week, but by the careers launched in J&K over the next decade.

"Ten years from now, the International Film Festival of Jammu and Kashmir's success will be measured not by the films screened or the personalities who joined us, but by the careers that began here, the opportunities and collaborations it created, and the stories from Jammu and Kashmir that reached audiences across India and the world," he said.

Inviting industry veterans to return not just to shoot, but to mentor and teach, Abdullah said our mountains and lakes may bring filmmakers here once, but the experience of working here must bring them back again.

"To our visiting filmmakers, actors, and delegates, my invitation is simple: come back to shoot, write, teach, collaborate, and discover more of Jammu and Kashmir," he added.

Urging young local filmmakers and storytellers to learn the craft, experiment, and begin, Abdullah said they must tell us stories of their neighbourhoods, villages, families, and generation.

"Some of cinema's most powerful voices are intimate and local. What matters is that the voice be authentic and the craft remains strong," he stressed.

The chief minister said the opportunity before us now is for Jammu and Kashmir increasingly to reflect itself through cinema, to tell its own stories, in its own voices, and with confidence, and to share them with audiences across India and the world.

"Government can provide the platform and an enabling environment, but a vibrant film culture must be sustained by the creative community itself. Cinema also brings wider economic opportunities, supporting professionals, local services, artists, craftspeople, and businesses," he said.

Films coming to Jammu and Kashmir should therefore leave behind not only memorable images, but also skills, employment, and stronger local capabilities, Abdullah added.

Taking to its social media timelines, Sun Pictures, the production house that has produced the film, posted a video of producer Kalanithi Maran gifting the cars to the director, hero and music director of the film and wrote, "Mr. Kalanithi Maran congratulated and presented the keys to brand-new BMW cars to Arun Matheswaran, Lokesh Kanagaraj and Anirudh, for the success of Blockbuster #DC!"

The film, which emerged a blockbuster, came in for praise from the critics and audiences as well. In fact, Telugu superstar Mahesh Babu had showered praise on 'DC', calling it an "original and outstanding film"

Mahesh Babu had taken to his X timeline to share his thoughts on the superhit Tamil film DC, featuring Lokesh Kanakaraj and Wamiqa Gabbi in the lead. He had said, "#DC… what an original and outstanding film! Just too cool… Loved every bit of it!! Congrats to the entire team…"

A pleasantly surprised Arun Matheswaran had responded to Mahesh Babu's post, saying, "Thank you so much, sir! This truly means a lot to me. Seeing you watch and appreciate #DC is incredibly special. Really grateful for your love and kind words."

For the unaware, Lokesh Kanakaraj played a character called Devadas in the film, while Wamiqa Gabbi played a character called Chandra and actress Sanjana A K played a character called Parvathi.

The film had dialogues by Arun Matheswaran and Franklin Jacob with additional screenplay by Arun Ranjan.

Music for the film was by Anirudh and cinematography was by Mukesh G. Editing for the film was by G K Prasanna and art direction by Kannan S.

It may be recalled that Lokesh Kanakaraj had undergone martial arts training for this film. Lokesh underwent martial arts training in Thailand for this film soon after he had directed Superstar Rajinikanth's 'Coolie', which hit screens worldwide on August 14 last year.

But the film gradually loses its grip in the second half, as the story becomes weighed down by details, messages and weaker action. The film begins with RAW agent Vijay (Karthi) taking up a mission without his superiors’ approval.

During the operation, he discovers a major threat that is set to unfold in 10 days. As he races to prevent the disaster, Vijay learns that his father Sardar (Karthi), whom everyone believed to be dead, is still alive.

The first half is packed with action and interesting details about a Japanese-made bioweapon that landed in India in the 1980s. Yogi (SJ Suryah), known as Black Dagger, the head of an international mercenary outfit, plans to detonate it decades later.

Just as things seem to be heading toward disaster, Sardar makes his entry, adding to the mystery and raising expectations for the rest of the film.

Synopsis:

Sardar 2 follows RAW agent Vijay, who uncovers a deadly bioweapon threat and races against time to stop it from being detonated.

His mission takes an unexpected turn when he discovers that his father, Sardar, presumed dead, is still alive.

Cast: Karthi, Malavika Mohanan, SJ Suryah, Yogi Babu, Nizhalgal Ravi

Rating: 2.5/5

Director PS Mithran, who addressed excessive plastic bottle usage in Sardar, attempts to highlight the overuse of antibiotics in the sequel.

But the message does not blend naturally with the story. A lengthy sequence involving SJ Suryah, Yogi Babu and Nizhalgal Ravi, seemingly added for comic relief, also fails to work as either humour or part of the narrative.

The film is more effective when it explores the emotional trauma of a RAW agent following a mission gone wrong. The attention given to Vijay’s psychological state adds depth to his journey.

Unfortunately, the same care does not extend to the film’s larger story. Several plot points introduced in the first half are rushed through or lack a satisfying payoff.

The action sequences and elaborate sets that make an impact early on are also largely missing in the second half. The train sequence and climax, in particular, feel underwhelming and fail to deliver the scale expected from a film of this size.

Among the ensemble cast, Malavika Mohanan stands out as a RAW agent, handling both action and emotional scenes well.

Aashika Ranganath, Rajisha Vijayan, Yogi Babu, Nizhalgal Ravi, Chinni Jayanth and Ashish Vidyarthi are also part of the cast, but most of their characters fail to leave a lasting impression.

Sam CS’s music and background score help maintain some momentum, while George C Williams’ cinematography stands out, particularly in differentiating the flashback portions from the present-day sequences. Vijay Velukutty’s editing also helps hold the two timelines together.

Sardar 2 has enough in its first half to suggest a gripping spy thriller, but it does not deliver on that promise. The draggy second half, weaker action and rushed resolution ultimately let down an otherwise promising premise.

The film is being made simultaneously in Telugu and Tamil and is positioned as a quirky middle-class entertainer blending humour and emotion.

Written and directed by Tej Uppalapati, the film has now added an interesting twist with Ravi Mohan’s casting. 

The makers made the announcement on Ravi Mohan’s birthday, revealing that the actor will be seen in the special role of Lord Govinda.

The announcement poster features Lord Venkateswara’s hand holding a human hand, hinting at the divine element surrounding his character. 

According to the makers, Ravi Mohan’s character represents Lord Govinda, who resides in every heart.  Vaddi Kaasula Vaada stars Manchu Manoj and is written and directed by Tej Uppalapati.

The film is produced by Ramabrahmam Sunkara under AK Entertainments, with Kishore Garikipati, Ajay Sunkara and Daya Pannem as co-producers. 

His life takes an unexpected turn when Maari (Mithun Jai Sankar), the son of Ravindra Vijay’s character, lands in trouble after attacking Saattapuli’s (Suhas) son.

Sent to Chennai under Muthukaali’s care, Maari brings him face to face with the rivalries and wounds he had left behind. As tensions between the two sides grow, Muthukaali is pulled back into the world of boat racing, where old rivalries, relationships and unresolved guilt come to the surface.

Director Mathimaran Pugazhendhi creates a convincing coastal world, especially in the way he presents the fishermen, their communities and the boat-racing culture. The first half is the film’s biggest strength.

It moves at a good pace and keeps the audience curious about what comes next.

The boat-training sequences and races are among the best portions, with SR Kathir’s cinematography capturing the scale of the sea and the races beautifully. The boat sequences feel authentic, although some of the fight scenes become too cinematic and effects-heavy.

Soori delivers a strong performance as Muthukaali, particularly in the scenes where he trains the youngsters and deals with the guilt and gratitude connected to Angel Rakkamma’s past.

The physically demanding portions and boat sequences also add weight to his performance. There has been talk of this being his career-best, but it is better described as one of his strongest performances rather than his definitive best.

Mahima Nambiar is a pleasant surprise. As Angel Rakkamma, she plays a slightly older character and a mother to a son in his 20s, bringing a maturity that suits the role. Her emotional scenes, especially those involving Muthukaali, work well, making this one of her more interesting performances.

Suhas makes his Tamil debut as the antagonist Saattapuli and brings a strong screen presence to the role, although his voice does not quite suit the character.

Mithun Jai Sankar fits well as the impulsive and aggressive Maari, whose actions pull Muthukaali back into the conflict. His action sequences with Soori are also appreciable. Bala Saravanan’s comic timing works well in the lighter moments.

The second half belongs largely to Sathyaraj, who plays Mahima’s father and the man who taught both Muthukaali and Saattapuli the sport. His subtle emotional scenes, especially those with Soori, add depth to the film. The flashback revealing Muthukaali and Angel Rakkamma’s past is effective, although it could have been explored further.

GV Prakash Kumar’s energetic score suits the film’s sporty mood, while the rooted setting and community-driven storytelling occasionally carry shades of Vetrimaaran’s cinematic world.

The second half becomes predictable at times, with a few overly cinematic moments, particularly in the pre-climax, clearly designed to elevate Soori’s heroism.

Still, SR Kathir’s visuals, Pradeep E Ragav’s editing and GV Prakash Kumar’s fast-paced score keep the film engaging.

Mandaadi works best when it stays close to the sea, its people and its sport.

The film would have been stronger if its fight sequences had retained the rawness of the boat-racing portions. Overall, it is a good watch, especially on the big screen.

The 32-year-old actress opened up about the biopic, which she was set to headline as Madonna.

"I think the movie has to get made," Garner said. "But we'll see..." The project has had a long and complicated journey. Universal Pictures stopped developing Madonna's planned biopic in 2023, after the film went through multiple drafts, including scripts by Diablo Cody and Erin Cressida Wilson. Madonna had also been attached to direct the project.

Madonna later explained that bringing her life story to the screen on the scale she envisioned required a substantial budget.

"I've had an extraordinary life. I've had a huge life, so I needed a big budget. You know what I mean?" Madonna told interview in June 2026.

"I was supposed to make a movie about my life. I worked on my script for two years and spent two years at Universal Studios with the line producers doing budgeting and casting," she added.

Garner's association with the project dates back to 2022, when she was reported to be Madonna's top choice to portray the pop icon. The actress had already begun extensive preparation for the role when, in January 2023, reports emerged that Universal was no longer developing the film.

Despite the setback, Garner's relationship with Madonna continued. In December 2023, the 'Weapons' star joined Madonna onstage during a tour stop in Brooklyn.

In July 2025, Garner offered another indication that the project might still have a future when she said on the 'SmartLess' podcast that the movie was "supposed to still happen."

Madonna also later teased a script under the working title 'Who's That Girl', referencing her 1987 film and its hit title track.

While the biopic remains in limbo, Garner and Madonna recently found another opportunity to collaborate. The two appeared together in an episode of the second season of "The Studio', with Garner playing a fictionalised version of herself alongside Madonna.

Garner described the experience of working with Madonna as unforgettable.

"It was beyond! I always say it's fine with the Italian queen!" Garner said in an interview. "It was incredible. I've never had an experience like that. Food's terrible, by the way. I had some of the worst Italian food in my life. But Venice is incredible," as per the outlet.

The two also shared photos from their time together on Instagram, continuing their friendship away from the set.

Garner, who is now in casual contact with Madonna through text messages, also praised the singer's personality.

"She's one of the funniest people I've ever met. Like, actually. And people don't know that," Garner said, according to People.

Meanwhile, Garner is set to star in and executive produce the upcoming Apple TV+ true-crime series adaptation 'Guilty Creatures', based on the book by Mikita Brottman. She will also co-star opposite Charlize Theron in the upcoming film 'Tyrant', according to People.

Director Jude Anthany Joseph, who is to direct the film #L370, took to his social media timelines to share an alert on fake audition calls.

He wrote, "Please be aware of fake audition posters, messages, or calls circulating in the name of L370. We have not authorised or announced any auditions or casting requirements for L370 at this time. Please do not share personal information, documents, or make any payments in response to such calls or posts. For any official casting announcements, please rely only on our verified and authorised

communication channels. Please stay alert and beware of fraud."

It may be recalled that only a couple of days ago, actor Mohanlal had expressed delight at the fact that he was teaming up with well known producer Ashiq Usman for a second time for his upcoming film #L370.

Taking to his X timeline to express his delight, Mohanlal had said, "Thrilled to team up with Ashiq Usman once again, this time under the direction of Jude Anthany Joseph for #L370."

Ashiq Usman's production house, Ashiq Usman Productions, too had expressed excitement at teaming up with Mohanlal for a second film. It wrote, "Proud and thrilled to announce our next production, L370. Featuring the one and only Lalettan, the legendary actor who continues to inspire generations."

"Another special journey, another unforgettable collaboration with a true icon.

Directed by @judeanthanyjoseph L370, the journey begins. #L370 #Lalettan #Mohanlal#JudeAnthanyJoseph#ashiqusman."

Interestingly, Jude Anthany Joseph's last film was 'Thudakkam', which marked the acting debut of Mohanlal's daughter Vismaya Mohanlal. In fact, 'Thudakkam', which has released and is having a fantastic run, has just completed 35 days in theatres.

Mohanlal had taken to his X timeline to share the happy news. He wrote, "Celebrating 35 glorious days and the incredible people who made #Thudakkam possible. This journey is ours. This love is yours."

It may be recalled that producer Ashiq Usman had only recently announced that shooting for 'Athimanoharam', his first film with Mohanlal, had been wrapped up. In fact, a week ago, Ashiq Usman had announced that shooting had been wrapped up and that dubbing was now going on. The film, which features Meera Jasmine as the female lead, has triggered huge interest in fans and film buffs.

For the unaware, 'Athimanoharam', which was initially being referred to as #L366 and which has been directed by Tharun Moorthy, has Mohanlal playing a policeman called T S Lovelajan in it.

Although very little is known about the upcoming film #L370, sources in the industry suggest that the film will be a colourful entertainer.

He says he only realised it when the wishes started coming in.

He marked the occasion at a press meet in the city, where he met the media and cut a cake with them. “I have never counted my films. I only remember my first film. I didn’t even know what my 35th or 50th film was,” he said during the interaction.

More than half of his projects, he explained, have been background score assignments rather than full-fledged albums.

Films such as Kaithi and Vanangaan are examples of this. “Only when people started wishing me for my 100th film did I realise it. I felt really happy about it,” he added.

Sam has built his career by working with several debut directors, many of whom came with fresh and unconventional ideas.

Not every experiment worked, but each project taught him something. “Nothing can teach you more than failure,” he said, quoting one of his favourite sayings.

He believes those failures have shaped him as a musician, but they have never taken away from his love for creating music.

Even after 100 films, Sam has no plans to slow down. “It’s not going to stop here. I’m going to continue working. It’s not about the count. I do music because I love it,” Sam told us.

That is also evident in his daily routine. Sam has a studio at home and spends most of his waking hours working on music.

For him, the number 100 is a milestone, but the music continues.

In a lengthy note shared on X, Vishnu said he first experienced signs of depression and anxiety in 2018, after his personal life took a setback following the success of Ratsasan. He said that while he initially believed focusing more on his career would help, the uncertainty during the COVID-19 pandemic further intensified his anxiety.

The actor also spoke about facing what he described as “false promises” from producers and directors, saying that he sometimes extended his dates for projects and spent months without work while honouring his commitments, without receiving payment for his originally committed dates. Balancing these professional challenges with the finances of his production house added to his stress, he said.

Vishnu revealed that he has attended multiple counselling sessions over the years and has been regular with therapy and also said he has taken medication for anxiety and depression on a few occasions under professional guidance.

Reflecting on his career, which began with cricket at the age of 13, Vishnu said he had always wanted to be successful and have his work noticed and appreciated. However, he acknowledged that while chasing the “BIG PICTURE”, he had missed several small moments in life.

“The next big success is not going to fix anything forever,” he wrote.

Vishnu, who recently saw the success of Gatta Kusthi 2, said that despite achieving milestones, he realised that “nothing has changed” internally. He also spoke about the pressures of arranging funds, working within budgets, selling films and managing his production responsibilities.

The actor, who is married and has two children, said that he sometimes still wonders whether he should leave cinema and lead a simpler life. However, he concluded that the answer is not necessarily to quit, but to stop postponing life until everything becomes perfect.

Urging people not to sacrifice everyday happiness for an imagined future, Vishnu encouraged readers to spend time with their families, take care of their health, travel, celebrate small victories and cherish ordinary days.

Addressing those struggling with anxiety or depression, he added that it is okay not to have everything figured out and encouraged people to seek help, talk to someone or consider therapy.

“Never give up. And don’t forget to LIVE,” he concluded.

The makers unveiled the title teaser and first glimpse of Scene, introducing Suriya’s character as DSP Inbaraj.

The glimpse offers a peek into the film’s world while keeping the story under wraps.

Written and directed by Jithu Madhavan, the film also brings together Suriya with Malayalam actors Nazriya Nazim, Naslen, Anandraj, Lal and Raj Priyan in prominent roles. 

Sushin Shyam has composed the music for the film, marking his Tamil debut as a composer. He previously collaborated with Jithu Madhavan on Aavesham. 

Scene marks Suriya’s first collaboration with Jithu Madhavan, who is making his Tamil directorial debut after the Malayalam films Romancham and Aavesham.

The film is produced by Jyotika and Suriya under 2D Entertainment, in association with Zhagaram Studios, and is scheduled to release in theatres on November 6.

The film is backed bySuriya's 2D Entertainment and Zhagaram Studios, with Jyotika also serving as a producer. 

Taking to his Instagram page to pen a lengthy post on the new film, in which she plays the female lead, actress Priyanka Arul Mohan wrote, "Some films come with a feeling that stays with you, even before you begin! Turning every page of Manjanathi felt like getting closer to a world filled with so much soul and emotion."

Priyanka further went on to say, "I’m excited to be a part of this beautiful journey with @mariselvaraj84 sir. I’m truly looking forward to stepping into your world , and joining you on this journey. And to have the legendary @ilaiyaraaja_offl sir’s music breathe life into our story makes this journey even more special. Can’t wait to begin this magical journey and bring Manjanathi to you all. #Manjanathi."

It may be recalled that actor Kathir, who plays the male lead in the film, had penned an emotional post about the film as well. Actor Kathir, whose work in director Mari Selvaraj's cult classic 'Pariyaerum Perumal' had come in for much appreciation, had disclosed that 'Manjanathi' had made him think about the fact that love doesn't look or feel the same to everyone in a way that he hadn't thought before.

The film, which only recently went on the floors, has music by Ilaiyaraaja. Apart from Kathir and Priyanka Mohan, the film will also feature actors Kayadu Lohar, Poornima Ravi, Vidhu, Kaaka Muttai Vignesh and Rahul (of 'Vaazhai' fame) in pivotal roles.

Cinematography for the film will be by Ezhil Arasu while editing will be by Selva R K. Art direction for the film is by Ramu Thangaraj. Stunts in the film are to be choreographed by Dhilip Subbarayan while dances in the film are to be choreographed by Sandy Master.

Taking to his Instagram page to pen a lengthy post on the new film, in which he plays the lead, Kathir wrote, "Love doesn’t look or feel the same to everyone. And #Manjanathi made me think about that in a way I hadn’t before. The first narration gave me a completely different perspective on love. I walked out with so many thoughts, and all I wanted to know was how this story would finally turn out."

Kathir went on to say that when he read the final version, it made him go silent.

"When I read the final version, it left me silent. It made me question who we are in this story… and how much of ourselves we might see in these characters. It opened up so much to explore, understand and discuss."

Admitting that he was both nervous and excited about the new film, Kathir said, "I’m honestly nervous about where we start this journey, but excited to put my heart into this one. This is nothing like we’ve done before, and I can’t wait to bring this guy’s world to the screen and make you feel what he feels."

He then went on to thank the director for trusting him to bring the character to life on screen. He said, "Thank you, mari na, for trusting me with this. And to everyone who kept asking when we would work together again. I truly hope every reunion of ours becomes an important film for all of us. Much love, @mariselvaraj84 Here we go again!!! #Manjanathi."

The film, which only recently went on the floors, has music by Ilaiyaraaja. Apart from Kathir, the film will feature actors Priyanka Mohan, Kayadu Lohar, Poornima Ravi, Vidhu, Kaaka Muttai Vignesh and Rahul (of 'Vaazhai' fame) in pivotal roles.

Cinematography for the film will be by Ezhil Arasu while editing will be by Selva R K. Art direction for the film is by Ramu Thangaraj. Stunts in the film are to be choreographed by Dhilip Subbarayan while dances in the film are to be choreographed by Sandy Master.

Speaking at a press conference, Thackeray asked why such events can not take place in Mumbai, Kolkata, Bengaluru and the capitals of other states in the country.

"They are trying to build a wall between Gujarat and the rest of the country. Answers must be sought from them (BJP) as to why they are doing this," he said.

Sanjay Raut asked whether Prime Minister Narendra Modi was of Gujarat alone.

"I will not say that you hold the event in Maharashtra, Lucknow, Kolkata. This is a national programme, so people will expect this to happen in the national capital. Is this a Vibrant Gujarat event? The people whose brainchild this idea was are 'dimagi Naxals'," Raut said.

The venue was being shifted ahead of the Gujarat polls, he claimed, adding that the government was degrading the importance of the national capital and a national award.

"Artists should not go to Gujarat. Any artist proud of their country will refuse the award," Raut said.

The National Film Awards ceremony will move out of Delhi to Kevadia in Gujarat with President Droupadi Murmu presenting the honours on September 22, officials said on Monday.

Kevadia, which has been renamed Ekta Nagar, is home to the world's tallest statue -- that of Sardar Vallabhbhai Patel. The Statue of Unity, as it is named, stands at 597 feet and was inaugurated by Prime Minister Narendra Modi in 2018.

The first National Awards in 1954 were held in Delhi's Vigyan Bhawan. It has hosted most of the award ceremonies since.

The 72nd edition of the awards, announced in July, will be a departure from the tradition, though there have been instances when the ceremony was held outside Delhi. The 17th National Film Awards were held in Chennai in 1971.

Written and directed by Balaji Tharaneetharan, Baththaa marks his third collaboration with Vijay Sethupathi after Naduvula Konjam Pakkatha Kaanom and Seethakaathi. The film also stars Lijomol Jose and has cinematography by Selva Kumar SK.

Presented by Atlee, the film is produced by Murad Khetani, Priya Atlee, Alok Jain and Ajit Andhare, along with the production team under A For Apple Studios and Cine1 Studios. Baththaa is slated for a worldwide theatrical release on October 1. 

Directed by debutant Gowtham Sivaraman, the film brings together Abishan and Shivarajkumar in what marks an interesting cross-industry collaboration. The makers have announced that the film will be released in Tamil, Kannada and Telugu, widening its theatrical reach beyond Tamil cinema. Abishan, sharing the title announcement, wrote that Picasso would be “everyone’s favourite” and confirmed the three-language release. 

The film also features Shivani Nagaram, Yogalakshmi and Gana Vinoth in important roles. For Abishan, Picasso marks a reunion with Yogalakshmi, following their association in his directorial debut Tourist Family. Abishan subsequently made his acting debut as a lead with With Love, which featured Anaswara Rajan. 

The film had gone on floors earlier this year, with the makers releasing a glimpse introducing the project. The shooting was recently wrapped, ahead of the title and first-look reveal. The first-look poster features Abishan and Shivarajkumar in traditional attire, offering a glimpse of the film's rural setting and giving the title announcement a distinct visual identity. 

Picasso is produced by A Balamurugan under the Drama Company banner. Leon James has composed the music, while Pragadeesh Prabhu S is the cinematographer and Sureshkumar K is the editor. Viju Vijayan has handled the art direction. 

The actor was recently seen in Ram Charan's Peddi and is also set to reprise his role as Narasimha in Rajinikanth's Jailer 2. 

After working on films such as Valimai, Thunivu, Mark Antony and Good Bad Ugly, he is now part of Karthi’s Sardar 2, directed by PS Mithran. He says the sequel offered a different challenge, particularly because Karthi’s two characters travel together for a major portion of the film.

“Both characters are from the first part, but Sardar 2 goes back to their first mission. While Sardar was more plot-driven and infotainment-driven, the sequel gives equal importance to character and infotainment. It explores how a rookie trainee handles his first mission and the trauma he carries throughout his life,” says Vijay.

Unlike the first film, where Karthi’s two characters did not share much screen space, they travel together for nearly 50 to 60 per cent of the sequel. “Technically, it was a little challenging. Their behaviour also has certain differences, but Karthi has handled it very well, so there wasn’t much difficulty for me as an editor,” he adds.

The sequel is also much bigger in scale. “The first film was around 70 per cent plot-driven and 30 per cent character-driven. Here, it is almost 50-50. The action sequences, locations and set pieces are bigger. It is also a mystery film. The first 25 to 30 minutes contain a mystery that we haven’t revealed in the trailer. All these elements demanded a different editing language.”

Vijay describes the editing process as highly collaborative, especially with writer Nambi involved throughout.

“There were constant changes after every edit, but I didn’t change the basic structure. We made some changes to dialogues and other portions. Nambi sir sat with me throughout the editing process and guided me on how to control the characters. It was a new experience, and I wish all film teams did this without ego. It can help the film tremendously,” recalls the editor.

One major action sequence, mounted on a massive set with an Indiana Jones-like adventure feel, also underwent changes during editing.

“I had a few doubts while editing it, so I immediately asked the director to sit with me. I made some suggestions with his approval. Once those changes were made, a few other things became unclear, and those were corrected as well. The action sequences are situation-based, so it was a collaborative process.”

Maintaining mystery without confusing the audience was another priority. “Every scene was edited with clarity in mind. A mystery should be revealed part by part, on a need-to-know basis. We even created a focus group and screened the film to get their responses. It helped us a lot.”

Composer Sam CS was also part of the process. “After every cut, we would show him the film and take his feedback. He also gave us reference tracks, and we edited some sequences according to the mood.”

Vijay began his career with independent filmmaker Kalyaan through Naalaya Iyakkunar, before Valimai gave him his major break. His association with Ajith continued through Thunivu and Good Bad Ugly, with Daredevil as his upcoming project.

“After working with Ajith sir, my life changed both financially and professionally. He has become like family. He doesn’t discuss my work much, but when he smiles at you, you know he is happy.”

He is also editing SJ Suryah’s directorial comeback, Killer, which is around 80 per cent complete. “His whole body has a rhythm. Even the way he uses his hands and legs adds to his performance. He can give references for music, story and camera angles.

I love editing his scenes because he gives me so much to work with. Every detail is interesting,” the editor tells DT Next.

For Vijay, the audience’s perspective is important when making decisions in the edit. “Whatever the film demands, I look at it from the audience’s perspective. The theatre is the place I love the most, and sitting there with an audience is one of the best moments of my life.”

Describing his role as an editor, he says, “An editor is almost like a director at the edit table. We don’t stand under the sun during the shoot, but the mental stress can be greater.” For Sardar 2, he adds, “It is the journey and emotions of a spy, along with a lot of entertainment value. I believe audiences will enjoy it.”

The announcement comes as the film continues its theatrical run.

The film recently completed 25 days in theatres and, according to its makers, has crossed Rs 260 crore worldwide. It is the second Suriya-starrer this year to cross the Rs 250-crore mark after Karuppu. 

The film follows Sanjay Vishwanath (Suriya), a shooter whose pursuit of excellence is affected by age, family responsibilities and an unexpected romance. Mamitha Baiju plays his love interest.

The film also features Radikaa Sarathkumar and Raveena Tandon in prominent roles. 

Vishwanath and Sons will be available on Netflix in Tamil, Hindi, Telugu, Kannada and Malayalam from September 11. 

The release date was announced by Ashok Selvan through his social media page, where he described the film as a “very special” project and urged audiences to watch it in theatres.

Directed by R Karthikeyan, the film stars Ashok Selvan and Preity Mukhundhan in the lead roles. The film has music by Govind Vasantha.

The technical crew includes cinematographer Gowtham Rajendran, editor Selva RK and art director Manikandan Srinivasan. The film is produced by K Karunamoorthy, Ashok Selvan and Abinaya Selvam.

Anbil Avan is backed by SonyLIV and is scheduled for a worldwide theatrical release on September 25.

They informed that they have not hired any casting agents for any of their projects.

The banner further urged all to not trust any emails, messages, and social media posts shared by any agent on their behalf.

The statement published on the official X (Earlier known as Twitter) handle of the production banner read, "This is to clarify that Raajkamal Films International has not hired any casting agents for any of our films. Please do not trust any emails, messages and social media posts received by you for this purpose (sic)."

The statement further warned that Raajkamal Films International will be forced to take legal action against anyone found using their names in an unauthorized manner.

"Legal action will be taken if any party is found falsely using Raajkamal Films International name in any unauthorized manner. (sic)," they added.

Raajkamal Films International was founded by Kamal Haasan back in 1981 along with his brothers under the banner “Haasan Brothers,. However, later it was renamed as Raajkamal Films International.

The primary project made under the banner was the 1981 drama Raja Paarvai' , featuring Kamal Haasan in the lead.

Some of their most noteworthy films include 'Apoorva Sagodharargal (1989)', 'Thevar Magan (1992)', 'Virumaandi (2004)', 'Vishwaroopam (2013)' and 'Vikram (2022)'.

Up next, Raajkamal Films International is backing superstar Rajinikanth's highly anticipated drama 'Dharman'.

Recently, the makers of director Ashwath Marimuthu's directorial shared that they have successfully completed the second schedule of the forthcoming movie.

Raaj Kamal Films International and Kamal Haasan took to social media and shared the professional update via a post that read, "Dharman 2nd Schedule Wrapped. Swag Mode: ON." The post further included a clip where Rajinikanth was seen as a senior medical faculty member lecturing junior doctors.

Born on September 3, 1926, Uttam Kumar, whose original name was Arun Kumar Chattopadhyay, was one of the most iconic actors in Indian cinema and is widely regarded as 'Mahanayak' (great hero) of the Bengali film industry.

In a notification, the Department of Economic Affairs under the Finance Ministry said the commemorative coin will be issued to mark the "centenary celebration of Mahanayak Uttam Kumar".

The Rs 100 commemorative coin, made of 99.9 pure silver, will have a 44-millimetre diameter, as per the gazette notification dated September 3.

The Bengali superstar, who appeared in more than 200 films throughout his illustrious career, passed away on July 24, 1980, at the age of 53.

The announcement was made by producer Raaj Kamal Films International.

Seeman joins a cast that includes Sivakarthikeyan, Bhagyashri Borse and Raj B Shetty.

A cast announcement video featuring Seeman dressed in white was released by the production house. He is reportedly playing a powerful character in the film, which is said to have mythological and cultural elements.

The film marks Seeman’s first collaboration with Sivakarthikeyan.

Arul Doss, Bala Saravanan and Singampuli are also part of the cast. Seyon is Sivakumar Murugesan’s second directorial venture after Thaai Kizhavi.

Kamal Haasan is producing the film along with R Mahendran under Raaj Kamal Films International. The project reunites Sivakarthikeyan with Kamal Haasan following their collaboration on Amaran. 

The technical crew includes music composer Santhosh Narayanan, cinematographer Vidhu Ayyanna,and stunt duo Anbariv. 

He posted a picture of his daughter on his official Insta handle and said that he and his better half, Supriya Menon, are proud of the person Alankrita has turned into.

The 'Kaduva' actor said that his daughter has the ability to inspire others around her with her compassion.

His lovely note on the photo-sharing app read, "Happy birthday sunshine! Mamma and Daada are so proud of the person you are, and the person you are growing into. Your compassion for the world around you is an inspiration, and in so many ways, so many times, you’ve taught Mamma and Daada so many things about life by just being you! Keep flying high..and keep loving life the way you do! (sic)", along with red heart emojis.

Additionally, Supriya also used social media to wish her 'Ally Kutty' on her 12th birthday.

Dropping a string of unseen photographs of his daughter on her official Instagram handle, she penned, "Happy 12th Birthday Ally Kutty! Can’t believe you are so grown up already! Feels like yesterday when we brought you home from the hospital. You are a wonderful daughter and I feel like you have all the best parts of us and I don’t wonder where you get all that sass and talking back from! Stay kind, loving and empathetic for this world is truly a circus! Mamma & Daada are proud of the person you are and the person you are becoming! Love you so much!," followed by red heart, hug, kiss, and evil eye emoji.

Prithviraj tied the knot with Supriya on April 25, 2011, in a private ceremony in Palakkad. The couple welcomed their first child, daughter, Alankrita Menon Prithviraj, in 2014.

Supriya was working as a journalist covering Malayalam cinema when she met Prithviraj.

Neeta took to Instagram, where she shared a video of herself talking about watching ‘Coming to America’ in 1988.

“1988, Coming to America released. I watched the movie and enjoyed it. A couple of weeks later, I got a call from Sridevi that I need to work on a song for ‘Roop Ki Rani Choron Ka Raja’. When I met her, this movie and the clothes were still fresh in my memory. So in my discussion, I asked her if she could do something which is really larger than life with feathers and something that I couldn't really think of but I suddenly started to sketch,” said Neeta.

She added: “I sketched out this outfit with a lot of layering on the skirt with gold metal on the bodice and a headgear with feathers on it and she smiled, she said, ‘will you really be able to achieve this?’ I said, ‘yes, I want to achieve it’.”

The designer said that once the entire meeting was over and she had discussed and finalized this, the process of creating the garment started.

“I went into Crawford Market, the famous Crawford Market and laid my hands on these beautiful feathers that were available then which I used and created the headgear with chain mail, with stones, rhinestones, with metal pieces all intertwined together and fixed the feathers onto the headgear,” said the designer.

“The dress was finally done and I took the outfit for fittings. And she looked at it and she said, she was really happy about the whole look. And then we started to shoot. Those days, a song was shot over at least 10 to 12 days.”

“This particular song went from morning till very late in the night. I remember every day the shoot would start by 9 o'clock, but it would end around 10, 10.30."

"And I would carry the clothes back, restructure them, refinish them, check on the feathers, check on the jewelry, attach the pieces back because the dance move was really heavy and take it back for shoot the next day. And the song came out as you saw it (sic).”

In the caption section, she wrote: “..The kind of creation that teaches you to dream bigger and become a part of cinematic history. For Roop Ki Rani Choron Ka Raja, the vision was larger than life and so was the challenge.”

“This creation was built with feathers, rhinestones and handmade and 800 metal etched with Egyptian palmette motifs . Absolutely pushing the boundaries of what could be imagined, constructed and worn on set. Sridevi herself wondered if the vision could be brought to life. An idea can be extraordinary, but needs to be bought to life through imagination, craftsmanship and sheer determination...(sic).”

Roop ki Rani Choron Ka Raja stars Anil Kapoor, Sridevi, Anupam Kher, Johnny Lever and Jackie Shroff. It was the highest-budget Hindi film at that time. The film was directed by Satish Kaushik and written by Javed Akhtar. The project, announced in 1987, was initially directed by Shekhar Kapur, who left the project halfway through; he was subsequently replaced by Satish Kaushik.

It told the story of Jugran, a criminal, who brutally murders a customs officer and a doctor. Their orphaned children grow up facing troubles and decide to seek revenge against their parents' killer.

What drew you to Move On Rajeshwari and made you say yes to the role?

Move On Rajeshwari is a Tamil vertical micro-drama series that explores finding love after 40. Rajeshwari is a strong, successful woman who has everything under control, except finding a life partner. Her niece, Priya, pushes her to meet new people and find love again. The series blends comedy with serious moments. I liked Rajeshwari because she is confident, professional and powerful. The character was different and interesting, and that made me say yes to the role. I hope the story gives hope to someone who is like Rajeshwari in real life.

You’ve worked extensively in feature films, and Move On Rajeshwari is a vertical series where each episode is under two minutes. How different was the filming process for you?

Micro dramas have a smaller budget, so the shoot happens very quickly. We completed 60 episodes in just four days. In a feature film, we usually shoot a maximum of three scenes a day, but here we were doing nearly 20 scenes a day. It was definitely a new experience for me, but I really enjoyed it. The fast-paced process was challenging, but it was also fun and gave me a chance to experience a different style of filmmaking.

What do you think about the transformation of watching a series on a vertical screen?

Vertical screens are becoming popular because people watch almost everything on their phones now. I even prefer the vertical format because I don’t like changing my phone’s position. It is simple and convenient. People also want quick entertainment, especially while travelling on public transport or when they have some free time. I think vertical series are becoming popular because they fit easily into our daily lives.

You stepped away from acting at a time when you were already an established and successful actor. Looking back, what did that break mean to you?

It was a conscious choice and decision that I made. When I had my children, I felt it would be better to quit acting for a little while and raise them myself. I wanted to bring them up on my own, and I felt I couldn’t trust anyone else with that responsibility. I believe nobody can do that job better than me. So, it was a decision I took willingly.

What was the biggest change you noticed in the industry?

Technology has changed a lot. Earlier, we used high-intensity lights that were very hot and uncomfortable, but now LED lights make shooting easier. We also have monitors to watch our performance after each shot, which is very convenient. Digital technology also allows us to do more takes, unlike earlier when everything was more restricted. When I talk to people I worked with before, we often have nostalgic conversations about how things were back then and how different it is now. We laugh and say, “Once upon a time,” and remember those days.

When you look at Laila, who was working in films in the early 2000s, and the actor you are today, what do you think has changed most in the way you approach a role?

Now, I prefer roles that give me scope to perform and explore different emotions. I think the Laila of the 2000s would have looked for big-budget films and big actors, but today, I am more focused on performance-oriented roles.

Priyadarshan said casting the antagonist proved difficult, with several actors turning down the role.

“Basically, you first decide whom you want in the script and then think about who fits the character. At the same time, you also consider the market value of a film like this. All these factors matter while casting,” he said.

While Saif was locked in from the beginning, Priyadarshan struggled to find someone for the antagonist. “In this film, Saif is the only actor I had confirmed. I tried to get the antagonist with many people, and I failed,” he said.

The casting changed during the shoot of Bhoot Bangla, when Priyadarshan casually mentioned the role to Akshay.

“While I was shooting Bhoot Bangla, I casually told Akshay that I was looking for a character like this and many people were not agreeing. He immediately said, ‘I will do it.’”

Haiwaan marks the reunion of Priyadarshan and Akshay Kumar after 18 years.

The two have previously collaborated on several successful films. The movie is slated to release on September 11.

Kevadia, which has been renamed Ekta Nagar, is home to the world's tallest statue -- that of Sardar Vallabhbhai Patel. The Statue of Unity, as it is named, stands at 597 feet and was inaugurated by Prime Minister Narendra Modi in 2018.

The first National Awards in 1954 were held in Delhi's Vigyan Bhawan that has hosted most of the award ceremonies since.

The 72nd edition of the awards, announced in July, will be a departure from the usual tradition though there have been instances when the ceremony was held outside Delhi. The 17th National Film Awards were held in Chennai in 1971.

"Article 370" has been named the best feature film and its lead star Yami Gautam the best actress. Malayalam superstar Mammootty and Bollywood star Kartik Aaryan will share the best actor prize for their roles in "Bramayugam" and "Chandu Champion", respectively.

Actor-filmmaker Randeep Hooda has been named the best debut director award for "Swatantrya Veer Savarkar", a biopic on Vinayak Damodar Savarkar.

Telugu science-fiction epic "Kalki 2898 AD" will receive the award for best popular film "providing wholesome entertainment", while Tamil film "Captain Miller", directed by Arun Matheswaran and starring Dhanush, has been named the best feature film promoting "National, Social and Environmental Values".

Priyanka Mohan and Kayadu Lohar are playing the lead roles, with Kathir, Sandy Master, Vidhu and Poornima Ravi also part of the cast.

Rahul R, who was seen in Mari’s Vaazhai, and newcomer Raghavi are also acting in the film.

Mari shared pictures from the launch on X and thanked Ilaiyaraaja. “Our eternal gratitude and love to our music genius who has inaugurated the days of Manjanathi from today!!” he wrote.

Mari has written and directed the film, which is produced by Sushant Prasad and Divya Mari Selvaraj.

Harsh Lalwani is the co-producer, while Ezhil Arasu K and Selva RK are handling the cinematography and editing, respectively.

On the actor’s 75th birthday on September 7, the makers released a character reveal video introducing him as Burma Karthikeyan, a feared smuggler known as Siya or The Elder One.

The video presents Mammootty in a rugged, mass avatar. While Karthikeyan is involved in smuggling, he is shown to have the respect of the people around him, as well as the police.

The character also appears to share a strong bond with the local community.

Om marks Mammootty’s return to Tamil cinema after seven years. His last Tamil film was Ram’s Peranbu, which was released in 2019.

Om – Chapter 1: Udhiram – The Blood Wood is written and directed by Rajkumar Periasamy, who last directed Amaran. Dhanush plays the lead role, while the film also stars Sai Pallavi, Sreeleela and veteran actor Naseeruddin Shah.

The film marks Naseeruddin Shah’s Tamil debut.

Sai Abhyankkar is composing the music. The technical team includes cinematographer Ezhil Arasu K, editor R Kalaivanan and art director A Pannerselvam.

Yannick Ben and Kecha Khamphakdee handle the action choreography.

He was 65. Sarath, who made a mark in Malayalam cinema as a director, screenwriter and storyteller, was also known for his contributions to Keralam's social and cultural life.

He directed several films, including 'Sayahnam', 'Sthithi', 'Sheelabathi', 'Buddhanum Chaplinum Chirikkunnu', 'Swayam' and 'Paradise'.

Sarath's film 'Sayahnam', which won the Indira Gandhi Award, received seven Kerala State Film Awards in 2000.

His film 'The Desire – A Journey of a Woman' won the Best Narrative Feature Film award at the Geneva International Film Festival in 2011.

His other works include short films such as 'Achinte Katha', 'Chumar Chithrangal', 'Bhoomikkoru Charama Geetham' and 'Mahatma Gandhi Road'. His documentary, based on the paintings of Raja Ravi Varma, also received international attention.

Sarath was awarded the Central Government's Junior Fellowship for his work on mural paintings.

His film 'Burial of Dreams', based on the Bhopal gas tragedy, also drew national attention.

Born in Vilakkudy in Kollam district, Sarath completed his graduation in English from Mahatma Gandhi College in Thiruvananthapuram and postgraduation from University College. He later completed a Film Appreciation course at the Film and Television Institute of India in Pune.

Before entering government service, he worked as a journalist with 'Kerala Kaumudi'. He retired in 2021 as Deputy Director in the Public Relations Department of the Kerala government.

Sarath is survived by his wife and two sons.

The FEFKA Directors' Union has expressed its condolences over his death.

Taking to X, formerly called Twitter, the filmmaker wrote: “With AI, the first jobs to vanish will be of those who immediately don’t embrace it. Technology has always been designed for our convenience, to save us from physical hardships and to save our time from wasting it on mundane tasks…(sic).”

“We all wish for more and more free time, and now our wish is coming true with AI freeing us for all time and most probably forever. We as humans had two assets .. one the muscle with which we perform tasks, and the mind we use to think and create.”

Drawing the parallel, he wrote: “The Industrial Revolution started erasing physical jobs and now A I is erasing our minds ..Soon we will not have both and that’s nothing but our most ardent wish coming true Edward Abbey in W. W. Jacobs’s ‘The Monkey’s Paw’ warned us about this

‘Beware of what you wish for.. it might come true’. It did (sic).”

RGV has directed films across multiple genres. He is popular for having gritty realism, technical finesse in his cinema. Varma is tagged as one of the pioneers of new-age Indian cinema.

He is currently busy with 'Police Station Mein Bhoot' starring Manoj Bajpayee

Speaking about the cast of “Police Station Mein Bhoot,” the film also stars Genelia Deshmukh as the female lead.

He is simultaneously working on “Police Company” starring Harshvardhan Rane. The film was announced last month.

RGV had then shared on X that the film’s tag line is ‘It Is More Dangerous Than D Company’.

“The police is an institution, and an underworld company is a money making organisation.. But when an institution is given extra powers, it will soon become a company.”

“After DAWOOD IBRAHIM brutally finished most of his rival gangs, he grew his GANG into a COMPANY and then left for DUBAI leaving his protégée CHOTA RAJAN to head the operations of D COMPANY. Subsequently a chain of events led to a split between Dawood and Rajan , which in turn caused a vacuum in the Mumbai underworld (sic).”

RGV went on to say that the film “Police Company” is story inspired from that “SQUAD based on one of its team members DAYA NAYAK which is being played by HARSH VARDHAN RANE ..The film has a huge ensemble cast , the details of which will be revealed soon.”

With a diverse line-up of contestants stepping into the house, viewers can expect emotions to run high, friendships to be tested and drama to unfold at every turn. Superstar host Salman Khan welcomed the 17 contestants for Bigg Boss Season 20, introducing them in his own distinct manner.

The contestant lineup brings together an eclectic mix of champions, actors, digital creators, musicians, and rising personalities. While boxing legend Mary Kom brings an unparalleled sporting pedigree, Aamrapali Dubey and Uditi Singh bring their established screen presence and strong fan followings.

Digital stars and young actors Arishfa Khan, Aman Gandhi, Love Gill, and Rohed Khan represent the new generation accustomed to commanding audiences online, while Qazi Ahmad Tauqeer and Isha Rikhi add their own entertainment and performance backgrounds to the mix. Harsh Machare, better known as Yung DSA, and Tanmay Singh, aka ScoutOP, bring their own energy and competitive spirit alongside Kushal Tanwar, popularly known as Gullu. The lineup has been further strengthened by personalities like Mahhi Vij, Asif Khan, Rhiti Tiwari, and Kanika Mann.

At the premiere, Salman Khan kicked off the milestone season in style by performing on iconic songs, also marking his incredible 38 years in the film industry. The contestants also delivered special performances. In major surprises, Bhojpuri stars Manoj Tiwari and Dinesh Lal Yadav aka Nirahua joined in for the celebrations. This year’s theme is ‘Vardaan’, with the makers teasing the idea of an “extra jeevan daan” that could bring an unexpected turn to the competition.

The makers shared the first-look poster on social media handle with a special wish for the actor, 'Wishing Our Dearest Mammukka very Happy Birthday," wrote Nithish Sahadev on Instagram

Mammootty also shared the update with his fans, "Presenting The Title & First Look Poster of Our 9th Production Venture #MELA Directed by Nithish Sahadev." The first-look poster presents Mammootty in an intense and rugged avatar. The veteran actor is seen wearing a black shirt and black mundu, sporting a commanding look.

As the superstar turned 75, social media platforms were flooded with birthday wishes from fans. One fan wrote, " Happy Birthday Ikkaa”, while another commented, “Vintage charm meets absolute mass!!!” 'Mela' adds to Mammootty's already packed lineup of upcoming projects. His most recent major theatrical release was 'Patriot', a Malayalam political action spy thriller that hit cinemas on May 1, 2026.

The actor is also set to feature in 'Mattancherry Mafia'. Mammootty will further reunite with acclaimed filmmaker Adoor Gopalakrishnan for 'Padayaatra'. The actor-director duo last collaborated in the film 'Vidheyan'. They have earlier worked in films like Anantaram and Mathilukal. He is also teaming up with Dhanush for the upcoming Tamil action thriller 'Om'. The film also features Sai Pallavi, Naseeruddin Shah, Sreeleela and Indrans.