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    Capturing the candid side of Bollywood

    American photographer Mark Bennington speaks about his recently released book, Living the Dream: Life of the ‘Bollywood’ Actor, which contains numerous candid pictures of Bollywood stars he’s caught on camera, in an attempt to humanise them rather than celebrating their larger-than-life on-screen personas.

    Capturing the candid side of Bollywood
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    A picture of Alia Bhatt clicked by Mark Bennington

    Chennai

    The nonchalant Bollywood camaraderie perhaps seemed novel to New York-based photographer Mark Bennington, who says “business always comes first” in Hollywood, while actors here work like a “family”. “Things are different here. The acting community in Bollywood works like a tight knit family. Obviously, in a family you have brothers and sisters who at times love to hate each other. But, nonetheless, they know they are a family,” he says. “In Hollywood, it is always business first and relationships second. There can be exceptions, but generally it works that way,” adds Bennington. 

    Published by Harper Collins, Living the Dream, which consists of photographs and interviews of 112 Bollywood stars, tells the “story of many, that only few know”. While the foreword to the book has been penned by filmmaker and producer Karan Johar, casting director Shanoo Sharma has written the afterword. Bennington insists that the book follows no hierarchy — while the ruling superstars conspicuously make the chunk of the book, newbies and yesteryears’ legends also find space in the tome. Bennington’s five-year-long project, for which he shuttled between New York and Mumbai, also gives equal importance to TV actors, the theatre circuit and reality-show celebrities. “On one page you will find a photograph of Rani Mukherji and on the other there is a photograph of someone you probably never heard of. It is a book with no table of contents,” he says. 

    Like most photographers, Bennington’s shots are also candid and offscreen. But, the element of freshness is rendered through his uncanny compositions. For instance, he has captured Dream Girl Hema Malini watering plants sporting a pair of jeans. “Have you seen something like this before ever?” Bennington asks. “There might be books where they have written about individuals, but not about the entire acting community. And if there is one, then surely it is not a book of photographs,” he says. 

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