"My practice is to capture, interpret, and re-present what I experience," Roy, who now lives and works in Delhi, tells IANSlife. Roy holds an MFA in Santiniketan. "Nature satisfies me and enhances my soul," she adds.
Asked about her process of creation, she lists the steps as: Documentation, material collection (from surroundings and nature), pulp production (from natural fibers), surface making followed by implementation. These different materials and textures are also metaphors of the different geographies and realities of life in Tripura.
Now exploring with different materials and associating new-media approaches in her upcoming works, the visual artist will display some of her artworks, including drawings, paintings, and mix media, in a solo exhibition titled, ï¿½Existence' in Triveni Kala Sangam, Delhi. It is curated by Masuka Gupta. The exhibition runs from April 1-9.
This exhibition explores the creative practice of Gopa, working with the diverse concepts and circumstances enduring beyond the conventional medium of art. The journey of her works navigates among the vivid dimensions of the material and its process of understanding.
The use of cow dung, soil, earth colours, watercolour, jute, rice flour is creating new possibilities in visual art practices. Roy's practice heralds the breakthrough towards the longstanding conventions in craft and modern art representations -- combining both experimenting with resources and emphasizing the realms of socio-political or personal experiences.
The pursuit of Roy's works is the anecdote of exploring her origin state Tripura, which is endowed with the incredible beauty of nature and unique traditions, that offers her experimenting with the materiality of nature, by exploring numerous textures, patterns, shapes, and colours.